Album Review: Serene Nights by Guitar Trek

It has to be said that I’m a very lucky bunny indeed – another fantastic classical guitar album to review (and yes it was fantastic – and just as an aside, I only tend to post up reviews if I really like a recording as I like to keep things positive on here and prefer to expend my efforts in telling you about the stuff that floats my boat and I think is worth a listen).

And this recording, Serene Nights, the sixth by Australian guitar family quartet Guitar Trek (guitar family being a bass, baritone, standard, and treble). The quartet, comprised of Timothy Kain, Minh Le Hoang, Matt Withers and Bradley Kunda, have produced what is a really refreshing recording.

Guitar Trek
Guitar Trek

And when I say refreshing I mean music that you perhaps wouldn’t ordinarily connect with the classical guitar or perhaps even have imagined it on the instrument previously. For example, we’re treated to a couple of excellent Johannes Brahms transcriptions (Intermezzo, Op.118 No. 2 (arranged by Bradley Kunda) and the Horn Trio in E Flat Major Op.40: IV – Allegro con Brio)- not a composer I’d usually connect with the guitar at all, but a great composer and both of these pieces certainly work very well with the guitar family. Brilliant stuff (and goes without saying almost expertly played by the four guitarists).

The album title Serene Nights, out now on the ABC Classics label, is a pretty accurate one, for whilst there are some lively pieces on here (including impressively lively album opener Llanura by Alfonso Montes) the abiding sensation, for me, delivered by this recording is one of poise and grace.

Llanura delivers us a “hello we’re here!”, before settling us into Kunda’s delightful arrangement of Brahms’ Intermezzo, which sounds just perfect on guitar family – delicate, graceful, lush, full of rich colour, serene.

Being a bit of a ballet fan, I have to say that my personal favourite on the recording is the an Andrew York arrangement of Waltz of the Flowers from Tchaikovsky’s The Nutcracker. A cracking arrangement, and expertly played, full of joie de vivre, fluid and nuanced. The colours and dynamics that the quartet bring out in the piece demonstrate the versatility of the instrument family, and the masterful command of the instruments that these four players have. We rarely hear Tchaikovsky on guitar and this recording goes to show it can work really well indeed.

This is followed a wonderfully sultry rendition of Albeniz’s Tango (Op. 165 , No. 2), as arranged by Timothy Kain, brining the mood back into serene territory again following the lively excitement of the Tchaikovsky. Very lullaby-esque. Beautiful arrangement, beautiful playing.

For the romantics amongst you you might want to check out the Alfonsina e el mar (Ariel Ramirez, arr. Roland Dyens) – achingly beautiful melody, supported by some big, fat rich sound. The baritone guitar really plays a great part in this piece, demonstrating how the guitar family can bring an important dimension that a straight-up guitar quartet can’t quite manage.

Then for a bit of a change of pace with latin flavour and colour (with a steel strung guitar thrown into the mix) we’re presented with Noite Serena (Bau (Rafino Almeida)) followed by a Timothy Kain arrangement of Nola for a little bit a whimsical touch. We then head into Mark Issac’s Angel and a Kain arrangement of Satie’s Je Te Veux, both of which have a lovely, easy relaxed vibe to them.

My second favourite offering on the recording are all four of the Four Pieces for Piano by Rodrigo (arr. Timothy Kain), proving yet again the piano to guitar leap works very well indeed. My particular favourite of the four is the third movement (Plegaria de la Infanta de Castilla). Once again the richness that the baritone brings to the piece is particularly noteworthy.

The recording is closed out by a Jeremy Sparks arrangement of Joplin’s Solace. A lovely, and most definitely serene, closing to a fine recording.

Serene Nights is a high-class affair – high calibre playing with some top notch “in house” arrangements of some wonderful pieces of music that sit very well on the guitar family (testament to talented, sensitive and balanced arranging skills). An expertly played and wonderfully colourful exploration.

Serene Nights is available to buy now at all good record stores, including ABC stores and the usual online outlets.

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Serene Nights – a recording worth celebrating!

Album Review: Homenaje by R.C. Kohl

It’s been a few months since my last review of a recording and I have a cracking little one you today, folks – a disc called Homenaje by guitarist-composer R.C. Kohl.

This latest recording from R.C. Kohl is a collection of 20 compositions and arrangements by the relatively little-known Mexican guitarist Octaviano Yañez (1865 – 1927?), who hailed from the city of Orizaba in the State of Veracruz, Mexico. According to the liner notes Yañez was one of the very first ever guitarists to be recorded, apparently having done so for Edison and Victor recording companies during the turn of the 20th century.

And it certainly sounds as if he could write a half-decent tune, and some possibly with potential didactic intentions. The disc kicks off with a really nice couple of study-like preludes (Preludio en mi menor and Preludio en la menor). They’re lovely short little pieces that whet your appetite for Yañez’s musical style, I was quite disappointed that the first prelude was so short in fact (clocking in at only 45 seconds!).  Things develop out from there on with some equally lovely, quite delicate and really charming pieces. Último Amor was a particular favourite of mine, with a feel slightly reminiscent of Tarrega, perhaps Sor.

I found the second half of the disc most interesting, with the penultimate track El Encanto de un Vals, a Yañez arrangement of a piece by Viennese composer Oscar Strauss (born just five years later than Yañez). Again a really lovely little piece that, like most of this recording, certainly would not be out of place at a house or salon concert. And in terms of R.C. Kohl’s playing this piece is my favourite – a gorgeous rounded tone, with some nice coloured touches, and a delicately sensitive rubato.

Simply a lovely guitar recording, played with an understated musicality, fine tonal quality and a real appreciation of the composer and his style. Definitely recommended.

For those of you who may not be aware of R.C. Kohl, he is a classical guitarist and composer and is a professor on the Music Faculty of the the Universidad Veracruzana in Mexico. Kohl studied initially at the University of California at Santa Cruz, followed then by the University of Hawaii at Manoa, before moving to the Universidad Veracruzana, in Xalapa, Veracruz, Mexico. He has been awarded scholarships and grants in music performance and research from Mexico’s Secretaría de Educación Pública, the East-West Center of Honolulu (EWC) and the Instituto Veracruzano de Cultura (IVEC) (a grant from which enabled this latest recording). He’s also been a member of many prestigious research institutes and universities. Not too shabby!

You can download your own copy of Homenaje (and R.C. Kohl’s other works) over at CD Baby and iTunes.

Click on the hyperlink text to take you right through or copy and paste the following URLs into your browser:

http://www.cdbaby.com/cd/rckohl6

https://itunes.apple.com/us/album/homenaje/id984141625

Ooh and yes, before I forget, you can check out my 2012 review of some earlier R.C. Kohl recordings HERE.