Album Review: Serene Nights by Guitar Trek

It has to be said that I’m a very lucky bunny indeed – another fantastic classical guitar album to review (and yes it was fantastic – and just as an aside, I only tend to post up reviews if I really like a recording as I like to keep things positive on here and prefer to expend my efforts in telling you about the stuff that floats my boat and I think is worth a listen).

And this recording, Serene Nights, the sixth by Australian guitar family quartet Guitar Trek (guitar family being a bass, baritone, standard, and treble). The quartet, comprised of Timothy Kain, Minh Le Hoang, Matt Withers and Bradley Kunda, have produced what is a really refreshing recording.

Guitar Trek
Guitar Trek

And when I say refreshing I mean music that you perhaps wouldn’t ordinarily connect with the classical guitar or perhaps even have imagined it on the instrument previously. For example, we’re treated to a couple of excellent Johannes Brahms transcriptions (Intermezzo, Op.118 No. 2 (arranged by Bradley Kunda) and the Horn Trio in E Flat Major Op.40: IV – Allegro con Brio)- not a composer I’d usually connect with the guitar at all, but a great composer and both of these pieces certainly work very well with the guitar family. Brilliant stuff (and goes without saying almost expertly played by the four guitarists).

The album title Serene Nights, out now on the ABC Classics label, is a pretty accurate one, for whilst there are some lively pieces on here (including impressively lively album opener Llanura by Alfonso Montes) the abiding sensation, for me, delivered by this recording is one of poise and grace.

Llanura delivers us a “hello we’re here!”, before settling us into Kunda’s delightful arrangement of Brahms’ Intermezzo, which sounds just perfect on guitar family – delicate, graceful, lush, full of rich colour, serene.

Being a bit of a ballet fan, I have to say that my personal favourite on the recording is the an Andrew York arrangement of Waltz of the Flowers from Tchaikovsky’s The Nutcracker. A cracking arrangement, and expertly played, full of joie de vivre, fluid and nuanced. The colours and dynamics that the quartet bring out in the piece demonstrate the versatility of the instrument family, and the masterful command of the instruments that these four players have. We rarely hear Tchaikovsky on guitar and this recording goes to show it can work really well indeed.

This is followed a wonderfully sultry rendition of Albeniz’s Tango (Op. 165 , No. 2), as arranged by Timothy Kain, brining the mood back into serene territory again following the lively excitement of the Tchaikovsky. Very lullaby-esque. Beautiful arrangement, beautiful playing.

For the romantics amongst you you might want to check out the Alfonsina e el mar (Ariel Ramirez, arr. Roland Dyens) – achingly beautiful melody, supported by some big, fat rich sound. The baritone guitar really plays a great part in this piece, demonstrating how the guitar family can bring an important dimension that a straight-up guitar quartet can’t quite manage.

Then for a bit of a change of pace with latin flavour and colour (with a steel strung guitar thrown into the mix) we’re presented with Noite Serena (Bau (Rafino Almeida)) followed by a Timothy Kain arrangement of Nola for a little bit a whimsical touch. We then head into Mark Issac’s Angel and a Kain arrangement of Satie’s Je Te Veux, both of which have a lovely, easy relaxed vibe to them.

My second favourite offering on the recording are all four of the Four Pieces for Piano by Rodrigo (arr. Timothy Kain), proving yet again the piano to guitar leap works very well indeed. My particular favourite of the four is the third movement (Plegaria de la Infanta de Castilla). Once again the richness that the baritone brings to the piece is particularly noteworthy.

The recording is closed out by a Jeremy Sparks arrangement of Joplin’s Solace. A lovely, and most definitely serene, closing to a fine recording.

Serene Nights is a high-class affair – high calibre playing with some top notch “in house” arrangements of some wonderful pieces of music that sit very well on the guitar family (testament to talented, sensitive and balanced arranging skills). An expertly played and wonderfully colourful exploration.

Serene Nights is available to buy now at all good record stores, including ABC stores and the usual online outlets.

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Serene Nights – a recording worth celebrating!

Album Review: Andrew Blanch – Spanish Guitar Music

First up – Happy New Year all! Here we are in 2016! Hope you all had enjoyable holidays.

I had a particularly enjoyable holiday listening to the inaugural recording of up-and-coming Aussie guitarist, Andrew Blanch (those of you who’ve followed the blog for a while may recall I did an interview with Andrew back in November 2014 – head here to check it out: https://classicalguitarnstuff.com/2014/11/17/interview-with-ascendant-aussie-classical-guitarist-andrew-blanch/)

This first outing on CD for Andrew is a cracking one – a very high quality recording both in terms of playing and the production values throughout the entire recording (little surprise there given that the producer is none other than seminal Australian guitarist Timothy Kain). On first listen it would be fair to say that I really was bowled over by both the consistent depth and quality of Andrew’s tone production. I was equally bowled over by the sensitivity of the recording to allow that to shine through. Really fantastic stuff.

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And this quality of tonal production and spot-on musicality comes really to the fore for me on track 5 – Capricho No. 18 from Mario Castelnuovo-Tedesco’s 24 Caprichos de Goya for Guitar Op. 195 (No. 18 El sueno de la razon produce monstruos).  Beautifully lyrical playing supported by lush upper register playing under pinned by seriously fat, rich, round basses. Mmmmm……

Capricho No. 18 is joined by Caprichos 20 and 16 rounding out the Castelnuovo-Tedesco contributions to this recording.

The album opens with a fantastic rendition of de Falla’s The Miller’s Dance from El sombrero de tres picos – this piece is actually one of the highlights of the recording for me. A great choice as an album opener, setting the tone both in terms of musical style and Andrew’s awesome playing, pulsating with suppressed Spanish machismo. This is followed up with the gently lulling The Fisherman’s Story and Song of the Will-o’-the Whisp, both from de Falla’s El amor brujo.

The recording also features some classics of the repertoire, such as Tarrega’s Recuerdos de la Alhambra, Albeniz’s Sevilla and Malaguena and Turina’s Fandanguillo. All of which Andrew plays with deft aplomb as if he’s lived and breathed these pieces for years. The Malaguena and Sevilla deserve a special mention actually.

The Malaguena is artfully presented – a lyrical melody, and strong sense of direction without being over the top. Have a look and  listen for yourself…. https://www.youtube.com/watch?v=MRNNhBCwEzg

As for the Sevilla, for a piece that can sometimes feel a little sluggardly in lesser hands this is a particularly delicately delivered offering, revealing some of the delightful prettiness of this piece, especially in the upper register. It made me dream up visions of some beautiful Spanish garden, or plaza, shimmering in the summer heat. Pass me the sangria!

Andrew also present us with some Llobet (including a lively Scherzo-Vals and all three of the Three Catalan Folksongs – Canco del lladre is particularly beautifully played) and Scarlatti (Sonata in G K.146 and Sonata in Am K.175), before rounding out the recording with Tarrega’s delightful Carnival of Venice.

If you’re looking for some beautifully rich imaginings of some well-known (and slightly lesser known) Spanish pieces presented wonderfully by the new wave of contemporary classical guitarists then you’d do well to pick up this recording by Andrew Blanch.

If you want to get your mitts on a copy of Andrew’s recording (and I highly recommend you do) in either digital or CD format (the CD packaging and liner notes are particularly nice to by the way)  head over to his Bandcamp page https://andrewblanch.bandcamp.com/album/spanish-guitar-music

And to keep up to date with all of Andrew’s goings on be sure to check out his website: http://www.andrewblanch.com