Album Review: Serene Nights by Guitar Trek

It has to be said that I’m a very lucky bunny indeed – another fantastic classical guitar album to review (and yes it was fantastic – and just as an aside, I only tend to post up reviews if I really like a recording as I like to keep things positive on here and prefer to expend my efforts in telling you about the stuff that floats my boat and I think is worth a listen).

And this recording, Serene Nights, the sixth by Australian guitar family quartet Guitar Trek (guitar family being a bass, baritone, standard, and treble). The quartet, comprised of Timothy Kain, Minh Le Hoang, Matt Withers and Bradley Kunda, have produced what is a really refreshing recording.

Guitar Trek
Guitar Trek

And when I say refreshing I mean music that you perhaps wouldn’t ordinarily connect with the classical guitar or perhaps even have imagined it on the instrument previously. For example, we’re treated to a couple of excellent Johannes Brahms transcriptions (Intermezzo, Op.118 No. 2 (arranged by Bradley Kunda) and the Horn Trio in E Flat Major Op.40: IV – Allegro con Brio)- not a composer I’d usually connect with the guitar at all, but a great composer and both of these pieces certainly work very well with the guitar family. Brilliant stuff (and goes without saying almost expertly played by the four guitarists).

The album title Serene Nights, out now on the ABC Classics label, is a pretty accurate one, for whilst there are some lively pieces on here (including impressively lively album opener Llanura by Alfonso Montes) the abiding sensation, for me, delivered by this recording is one of poise and grace.

Llanura delivers us a “hello we’re here!”, before settling us into Kunda’s delightful arrangement of Brahms’ Intermezzo, which sounds just perfect on guitar family – delicate, graceful, lush, full of rich colour, serene.

Being a bit of a ballet fan, I have to say that my personal favourite on the recording is the an Andrew York arrangement of Waltz of the Flowers from Tchaikovsky’s The Nutcracker. A cracking arrangement, and expertly played, full of joie de vivre, fluid and nuanced. The colours and dynamics that the quartet bring out in the piece demonstrate the versatility of the instrument family, and the masterful command of the instruments that these four players have. We rarely hear Tchaikovsky on guitar and this recording goes to show it can work really well indeed.

This is followed a wonderfully sultry rendition of Albeniz’s Tango (Op. 165 , No. 2), as arranged by Timothy Kain, brining the mood back into serene territory again following the lively excitement of the Tchaikovsky. Very lullaby-esque. Beautiful arrangement, beautiful playing.

For the romantics amongst you you might want to check out the Alfonsina e el mar (Ariel Ramirez, arr. Roland Dyens) – achingly beautiful melody, supported by some big, fat rich sound. The baritone guitar really plays a great part in this piece, demonstrating how the guitar family can bring an important dimension that a straight-up guitar quartet can’t quite manage.

Then for a bit of a change of pace with latin flavour and colour (with a steel strung guitar thrown into the mix) we’re presented with Noite Serena (Bau (Rafino Almeida)) followed by a Timothy Kain arrangement of Nola for a little bit a whimsical touch. We then head into Mark Issac’s Angel and a Kain arrangement of Satie’s Je Te Veux, both of which have a lovely, easy relaxed vibe to them.

My second favourite offering on the recording are all four of the Four Pieces for Piano by Rodrigo (arr. Timothy Kain), proving yet again the piano to guitar leap works very well indeed. My particular favourite of the four is the third movement (Plegaria de la Infanta de Castilla). Once again the richness that the baritone brings to the piece is particularly noteworthy.

The recording is closed out by a Jeremy Sparks arrangement of Joplin’s Solace. A lovely, and most definitely serene, closing to a fine recording.

Serene Nights is a high-class affair – high calibre playing with some top notch “in house” arrangements of some wonderful pieces of music that sit very well on the guitar family (testament to talented, sensitive and balanced arranging skills). An expertly played and wonderfully colourful exploration.

Serene Nights is available to buy now at all good record stores, including ABC stores and the usual online outlets.

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Serene Nights – a recording worth celebrating!

Album Review: Premieres by Hilary Field

I have been fortunate yet again, dear readers, to have the enormous pleasure of listening to and reviewing for you a fantastic recording, this time by award-winning guitarist/composer Hilary Field.

This recording features world premiere music by contemporary composers that celebrates the natural lyrical, rhythmic and harmonic beauty of the classical guitar. It features contemporary pieces, some of which have been dedicated to Hilary, from Richard Charlton, Douglas Lora, Jorge Morel, Alberto Cumplido, Victor Kioulaphides, Nadia Borislova, Gerard Droza, Rick Sowash and Field herself.

In the recording’s creation, Hilary worked closely with each of the respective composers to expand the guitar literature  – a huge plus point for me and something I think that more classical guitarists should be venturing to do. So first “well done” on that Hilary, as far as I’m concerned!

And for those of you not familiar with Hilary, she’s a Seattle, Washington based guitarist and composer and has garnered praise for her dynamic virtuosity, her sensitive musicianship, and for the emotional depth she brings to the heart of classical guitar music. Hilary is a past winner of the Northwest Young Artist Series Competition and was the first guitarist to win the Francis Walton Soloist Competition. She has held faculty positions as the head of the Guitar department at Seattle Pacific University and Pacific Lutheran University. She has released several award winning CDs, including her debut recording, “Music of Spain and Latin America,” which was an award winner for Classical Album of the Year by the National Association of Independent Record Distributors. Hilary was recently sponsored by the US Embassy to perform and tour in South America, and has been a featured performer in international guitar festivals such as Festival Entrecuerdas in Chile, Festival Internacional de Guitarra ICPNA in Perú, and Série Grands Concerts in Québec.

On first listening, aside from I’m struck by the quality of the playing, depth of musicality and great selection of newer pieces.

The Giga from Jorge Morel’s Suite for Olga could well be my favourite from the 19 individual tracks on the album – sprightly, fun and stunningly played. Controlled abandonment, if that makes sense?! I could hear that in lesser hands this could get out of control! Clear and precise lines, yet with a tangible sense of enjoyment in the playing and unwaveringly beautiful tone throughout. A really lovely closing piece to this great three piece suite from Jorge Morel.

Richard Charlton’s Lauro-inspired Vals by Moonlight from the Suite Latina  and Douglas Lora’s Northeastern Lullaby are also worth a mention, with the former creating somewhat of an earworm for me. I want to play it for myself now – there’s a real inspirational quality to Hilary’s playing that I’ve not experienced for a while with a recording.

And I can’t overlook the opportunity of course to mention Hilary’s own piece Donzella: Fantasia on a Sephardic Lullaby. A heavenly melancholy delight. And you can take a listen (and watch) for yourself right here…..

 

Donzella: Fantasia on a Sephardic Lullaby

Overall Premieres is a high quality recording – superb playing with beautiful depth of tone, excellent production and a great collection of contemporary classical guitar pieces (something we definitely need more of out there). A highly recommended recording, and quite possibly one of my favourites for the year. Very well done indeed.

Premieres is available now on iTunes, Google Play, Amazon and all good record stores. Do yourself a favour and buy your copy now!

And if you want to catch Hilary in person she’s currently scheduling a number of release concerts and will be featured in a number of upcoming international guitar festivals – check out her website for more details: www.hilaryfield.com