Tag: new music

Album Review – Un Viaje Mistico by Daniel Nistico

Nicole Neal2 Comments

Frequent readers of the blog will most likely be aware of the young, rising Melburnian talent that is Daniel Nistico. If not, or if you’re new to these parts, check out these posts on Mr Nistico:

https://classicalguitarnstuff.com/2013/04/15/an-opportunity-to-be-a-part-of-daniel-nisticos-first-album-un-viaje-mistico-a-mystical-journey/

https://classicalguitarnstuff.com/2012/08/25/introducing-rising-star-of-the-classical-guitar-daniel-nistico-ooh-and-hear-about-the-adelaide-international-guitar-festival-too/

Well, Daniel has been in the recording studio recently recording his debut album (financed all through a Pledge Music project). And what a debut recording it is. I promise, cross my heart, hope to die and all that, dear reader, that I’m not just saying that because I know the chap – this is a truly fantastic recording and has been playing on heavy rotation here at Classical Guitar n Stuff Towers for the last few weeks.  Dan Nistico_July2013

First up, the playing right across the album is just superb – yes, Daniel’s weapon of choice is a rather tasty Greg Smallman guitar, but he has the talent (and more) to match a guitar of this calibre. His tone is personally very inspirational for me, and I urge you to take a listen to understand what a good clear, full, fat tone without the slightest element of schmaltz creeping in really sounds like.

Daniel has put together a fantastic programme, with some well-known favourites on there as well as some lesser known material – a good balance between the two in fact, in my opinion.

The album opens with some cracking Barrios – the Mazurka Appassionata – and a simply beautiful rendition of the full Le Catedral suite. The fifth track on the album is the absolute stand-out for me and this is Daniel’s own transcription and interpretation of Sevilla by Albeniz – I love this!! Yes, it’s a well-worn favourite, but Daniel’s interpretation brings a quality that I’ve not heard in many recordings. It’s rather laid-back, unhurried, unfussy and the lines, voices and phrasing within the music are so very clear. I’m not sure of Daniel’s approach to this piece, but it feels almost like a guitarist’s interpretation of a pianist’s interpretation of guitar music. I love it! I may even be so bold as to say this is currently my favourite recorded version of Sevilla. Nice work Daniel!

Continuing on with the Spanish flavour, but with a slightly more contemporary feel is the Collectici Intim suite by Vicente Asenci (written in 1965), showcasing Daniel’s virtuosic flair as well his gorgeous rounded tone, and fantastic sense of phrasing (check out in particular IV La Gaubanca).

Moving away from Spain, Daniel brings us home to Australia with Phillip Houghton’s Kinkachoo I Love You. This lovely, mellow piece is a lovely choice in the programme to follow the rapid fire final movement of the Asenci suite.

The album is then rounded out with two absolutely stunning pieces (two that I’ll admit I’d not heard of prior to listening to this recording) and come joint second favourite for me after Sevilla. These pieces are Sonatina….after an enchantress by American composer John Anthony Lennon and the exquisite This morning in Omagh the sun rose again by William Lovelady. This piece was written as a tribute to the 29 people that lost their lives and 220 that were injured in the 1998 car-bombing in Omagh, Northern Ireland. Daniel’s suitably impassioned playing on this piece is very sensitive to the inspiration for this piece and is quite simply beautiful. Actually on reflection, this one is joint favourite for me alongside Sevilla. I’ve just had the privilege this evening (I’m writing this on Sunday night) of having just seen Daniel perform this live this evening in Melbourne. Breathtaking…….

This album is a must if you’re a lover of guitar music, and looking to broaden your horizons with some newer or little-heard repertoire. Hop onto Daniel’s website for details of how to get your mitts on your own copy of his album. It’s a must!!

www.danielnistico.com

And watch this space for a Q&A with Daniel before he heads off Stateside to continue his studies and grow his career at the Eastman School of Music.

 

Two music reviews for the price of one today! Landscapes for Guitar & Orchestra and Rags, Jazz, Bluegrass y Mas by R.C. Kohl

Nicole Neal2 Comments

I will admit I did not know nor was I aware of the existence of R.C Kohl until very recently. You may be in the same position too, but that’s ok. That’s kind of what I’m here for – to help broaden our list listening, to make the connections in our fantastic guitar playing community, to promote our players, the wealth of talent in our world and our music, and to generally share the guitar love!

So on with the show!

Firstly, who the hecky is R.C. Kohl?

R.C. Kohl (I’m going to call him R.C. from here on) is a classical guitarist and composer based in Xalapa, Veracruz, Mexico. He’s a veritable musical clever clogs with degrees of various levels from University of California at Santa Cruz, University of Hawaii at Manoa, and Universidad Veracruzana, in Xalapa, Veracruz, Mexico. He has been awarded scholarships and grants in music performance and research from Mexico’s Secretaría de Educación Pública, the Instituto Veracruzano de Cultura (IVEC), the UCSC and the East-West Center of Honolulu (EWC) and has been a member of many prestigious research institutes and universities.

Ok, so he knows his eggs, but can he play?

No! He’s rubbish! Only kidding!

If the recordings I now gratefully have in my collection are anything to go by, R.C. Is a fantastic musician with immense talent for both playing and writing guitar music. He has made a multitude of recordings, a couple of which he was kind enough to send over to me here at ClassicalGuitanStuff Towers.

Rags, Jazz, Bluegrass y Más

The recording first goes by the name of Rags, Jazz, Bluegrass y Más, and is a fantastic, light-hearted exploration of musical styles from the USA. This was originally recorded and released back in 2005 and features a number of well-known favourites such as Classical Gas, Cavatina, The Entertainer, and Take Five.

Upon to listening to the first few snippets of the CD, listening to wee bits of each of the tracks (and of course I’d not already got the CD in my grubby mitts already) I would most definitely part with my cool, hard cash to add this recording to my library. The playing is excellent, really top-notch stuff and R.C. makes such a lovely tone – I’d love to know what kind of guitar he uses on this recording. Yes, I know it’s a classical guitar….I mean the luthier.

The stand-out tracks for me on this recording are an arrangements of a traditional American tune Beaumont Rag/ Black Mountain Rag and Scott Joplin’s Maple Leaf Rag – so very light-hearted, joyful, fun. It makes me want to play it! I was less enthused about the interpretation of Joplin’s The Entertainer, but hey ho, this is just purely and simply personal taste. The Beaumont Rag/ Black Mountain Rag sounds so very typically in that North American folk tradition – it’s nice to hear style of music every now and again and sounds great on the classical guitar – and R.C. clearly has a love and passion for this music, playing it with much gusto and enthusiasm. This one makes me want to get up and do a jig! Hah hah! It also kind of sounds like the kind of tune one might hear on an Apple advert. Send it over to Apple R.C.!

Landscapes for Guitar & Orchestra

The second recording, which is his third release, is a completely different beast to Rags, Jazz, Bluegrass y Más. It features all original compositions for classical guitar and was produced with a grant from the Instituto Veracruzano de la Cultura (IVEC). The recording features not just Landscapes, a four movement suite for guitar and orchestra (which guitarist Roberto Aguirre plays the solo part on in this recording), but also showcases some of Kohl’s other works – The Man with the Blue Guitar I and II, Suite Santa Cruz, Estudios Etnicos II and Sonata Breve II.

There’s a lot of really cool stuff here!

I will say though on listening to the first track – The Man with the Blue Guitar I – I was thinking “oh no…”. It’s a very modernist kind of piece with the guitar hooked up through various electronic devices and feedback loops, partly improvisational in approach. This kind of thing is not really my cup of tea at all, but again that’s just my own opinion and I know that this piece will appeal greatly to many others.

The main feature of the recording – Landscapes for Guitar & Orchestra – was a different story for me, however. Fantastic! Love love love it! Beautiful melodic lines, shimmering strings, floating flutes, gorgeous clarinet lines, and the guitar parts blend with and work so beautifully with the larger orchestra. The music is almost programmatic in its styling – one can imagine cool, deep green forests, looming blue mountains, deserted and desolate landscapes. Most definitely worth checking out.

R.C. has also published several books and texts on guitar and ethnomusicology. Some of which he also sent me so watch out for review on those in the near future!

R.C.’s recordings are available at http://www.cdbaby.com and iTunes. Get on it!