Keeping fit and healthy for playing guitar

 

I’m sure you don’t need me to tell you that keeping yourself fit and healthy, both physically and mentally, is important regardless of whether you’re a guitarist (or musician of some other description) or not. It’s so very important for making us feel happy, feel good about ourselves and keep us feeling fit and strong for life!

 

Two views of local Extension leaders drilling ...
Ready?! (Photo credit: Cornell University Library)

 

Physical fitness – its importance to the guitarist

 

So why is physical fitness and regular exercise important to guitarists in particular? It’s not as if our instrument is heavy or playing it requires excessive physical exertion.

 

Well, there are a number of reasons why….

 

(1) We’re sat on our bottoms most of the time

 

And human beings are just not meant to sit, especially in the one position, for long periods of time. Add to this a desk-based job which so many have these days, watching TV or online activities such as reading or writing blogs (ahem….) and that’s a lot of “butt time“.

 

Whilst it probably is time spent working the brain and expanding one mind, it’s not so great for stretching the body and exercising the bits that keep us working (i.e. the heart, the lungs, our muscles).

 

(2) Keeps us in prime physical condition (well, relatively. Everything’s relative!) to get the most out of our playing

 

Being fit, and strong can help to decrease the occurrence of certain issues cropping up, such as my recent neck and shoulder gremlins! It can help with over-use injuries, sort out any troublesome weaknesses and leave more able to focus on what we’re playing and how we want it to sounds and not how this that or the other is bloody hurting!

 

(3) Helps keep us mentally focussed and alert for practice and playing, and receptive in our lessons

 

Exercise and physical fitness also has benefits for the mind as well as the body. When we’re healthy we tend to feel happier. A wee bout of exercise can also set off the “happy” chemicals in the brain (endorphins). It’s a bit like nature’s little pat on the back to us for getting moving and doing a wee bit of work.

 

A US Marine Doing Pull-ups.
Easy – right?!. (Photo credit: Wikipedia)

 

I don’t have time! I don’t have the inclination!!

 

You DO NOT, I repeat, DO NOT have to have a gym membership or some fancy-schmancy equipment or a personal trainer to do some kind of physical activity that will reap benefits for your playing. And most importantly, just like with our playing, have fun with it!!

 

Pick activities that you really like to do! Why would you bother spending your precious time slogging your buns off doing something you hate?!

 

Go for a walk to the shop, a walk around the park (those in Melbourne – you’re most welcome to come walking Bob The Dog with me!), walk to work, walk part of the way to work, walk to a different bus stop or tram stop, go for a swim, go for a ride on a bike, kick a ball with the kids, kick a ball with the dog.

 

Go before work, after work, during your breaks, walk the stairs instead of the lift or escalator. Let’s get rid of the idea that exercise is something “special” to do. Ok, scratch that. Kind of. It can be something really special to do, like a 100km bike ride or training for a mass participation fun run. But is also something that is “everyday”.

 

As with our practice “hygiene”, as its called (although I always think that sounds like a schedule for washing your hands or something) a little bit and often will pay far greater dividends than doing something in whatever size chunk just once or twice a week.

 

Ooh and make sure you’re getting up off your bottom every 30 – 45 minutes when practicing.

 

And don’t repeat the some thing over and over and over and over again. They don’t call it repetitive strain injury for nothing. And besides, if you’re not “getting it” after the third time it’s probably a good idea to just stop and asses what’s really going on. Playing it incorrectly again probably isn’t going to help!

 

Guitarist/ musician specific exercises

 

There are plenty of methods around which have either been developed specially for musicians or adopted wholeheartedly by musicians, with specific sets of exercises to do –  Feldenkrais and Alexander Techniqueto name but two.

 

Physical Fitness
(Photo credit: Justin Liew)

 

I read an article a few weeks back, around the time of the London Olympic Games opening, discussing the athletic nature of practicing, playing and performing music and avoiding the injuries that can go along with that. The article talks mainly to the prevention of injuries and describes us musicians as “small muscle athletes,” as the saying goes, versus the large muscle athletes competing at the games. 

 

So yes, marvelous musical athletes that you are, keeping fit and healthy is good for the body, good for the mind and fantastic for your playing.

 

What do you do?

 

What do you like to do? Let me know! I’d love to hear how you keep yourself fit and healthy for practice, playing and performance.

 

Approaching a new classical guitar piece – A closer look at style

Pinch, punch first of the month!

Gibson Classic
Photo credit: Lamerie

As I’m sure you, my learned readers, are more than well aware the classical guitar repertoire runs the full gamut of styles – baroque to blues, minuet to maxixe, classical period to contemporary and everything in-between. OK, not all of it may have been directly written for our instrument for one reason or another, but you get the idea. Plenty to pick from and lots of styles!

As such, when learning a classical guitar piece it can help us to remember this and reflect mindfully on the style of the piece we’re getting to grips with.

We may use the same or very similar techniques whichever piece we’re playing. The approach, however, the feel, the vibe of it (to misquote The Castle – look it up non-Aussies it’s a crackup… Anyway, I digress as per usual…), the intention of the music itself varies considerably depending on what we’re playing. This is one of the reasons why, for example, that examination boards ask candidates to play three or four pieces from different eras or styles – to see how you respond to changes in approach and style, testing out your versatility as a player and see if you can get under the skin of the music and convey the intention of differing styles.

I find that when learning a new piece, taking a few moments to look at its style and it’s impulsion, can help in getting to grips with it much faster. It’s not a magical method that will have you dashing off a brilliant barcarolle or stunning sarabande in five minutes of looking at the music (well, then again it might! I’ve not heard you play!). It will, however, provided you with some good sturdy starting points of a foundation from which to build an edifice of musical awesomeness.

You don’t generally start out on a journey (usually) without some idea of how you’re going to arrive at your destination do you? Doing a bit of research into the style of music you’re learning can act a bit like your roadmap, guidebook and phrasebook all in one, guiding you to the precise musical destination that you intended and helping with those idiomatic local expressions along the way.

How do I do this?

My first tip would be to take a close look at the title of the piece.

  • Is it something quite formal? Is it of a particular era?
  • For example, is it say a gigue or a sarabande, or perhaps some other stylised dance form, typical of the Baroque era? Each movement in a Baroque suite has its own particular idiosyncrasies and feel.
  • What else does the title convey? This question is more appropriate  if the piece in question is written in perhaps a less formalist style.
  • Is the piece intended to reflect a certain place, region or country? If so, have a think about the style and musical approach intended or that may work best to invoke that musical imagery.Is this piece influenced by folk styles? Examples might be such as a choro, fado or tango. When approaching some of these styles be sure to do a wee bit of homework around them as there can be styles within styles within styles!
Baroque guitar made by Tielke
Baroque guitar made by Tielke (Photo credit: D W S)

This process is where Google and YouTube can come in very handy. What did we do before their time?! Pray and hope that the Dewey Decimal system would lead us to the right spot in the library and that there might be something there awaiting the light of day?! Agreed, Google and YouTube are perhaps not very scholarly approaches to research, but they are undeniably more than a great starting place, particularly for listening to and watching new or musical styles previously unknown to oneself. Brill!

Here you go, case in point – a video for you today on the history of fado:

http://www.youtube.com/watch?v=on9lKHZc5jA

Obviously, there are more styles than I could go into one blog post, or you’d be here reading until August 2013 (or you’d probably just switch off)! So today’s key take away message is to get some background on the piece you’re learning. If you understand even a little of where it is coming from, you can then build on that to take it forwards with greater direction and depth to its intended destination.

If you’d like me to go into more depth on anything else style related, just drop me a comment in the box below and I’ll be happy to help.