Selecting A New Classical Guitar

Busker
Scraping together the pennies for a new guitar (Photo credit: Neil Perry Photo)

There are a myriad of things to think about and look for when choosing a new guitar, be it your very first guitar, your first “good” guitar, or you’ve been in the game a while and looking for something different.

So with a new year now well upon us, and nearly into its second month, school and new university courses (hello new music students and well done for getting places by the way!) starting back in Australia shortly, some may be contemplating either picking up a guitar for the first time or upgrading or changing up their existing model.

And different folks will probably tell you different things to be looking for, some probably completely different to my own! Anyhoo, I thought I’d share with you some of my own thoughts, experiences and sage words of advice that I’ve picked up over the past few years as I’ve become more and more intimately aware of the nuances of different guitars and the indescribably exciting journey of picking a new axe.

First up, a good solid practical one for you – know your budget. How much are you willing to spend on your guitar? You don’t want to be testing out a whole bunch of awesome axes to find that they’re about $1000 over what you’re willing and/ or able to spend.

Where you can, make sure you can get the best guitar you can for your budget, particularly so if just starting out. That orange box of a beginners guitar – yes, how terribly rude of me but it’s true, that’s what they are. And I have it on good authority that that’s what the Spanish call them. So must be true. Anyway, I digress….. So yes, that orange box of a guitar is soon going to become quickly redundant as you become a better guitarist.

An “el cheapo crappo” guitar (that’s a technical term of the trade….) may in fact also hamper your learning and your playing because they’re quite awful instruments, physically, to play, they sound awful (which is never an encouraging thing for a beginner) and thereby you’ll perhaps be less inclined to want to play it. Probably a bit of a false economy, the ol’ orange box beginners guitar. There are some fantastic beginners student guitars being made now, for an investment of around AUD$500 mark. As a beginner, it’s worth paying a little extra.

Be aware that you don’t know what you don’t know. Huh? Getting all Donald Rumsfeld on you now. Go with me on this.  When I was selecting my first “good” guitar, I wasn’t aware that there was a whole plethora of choice out in the widey world about the guitars I could play and choose from. I didn’t know this at the time, and didn’t know the right people to ask about finding out. I’m not saying I made a bad choice in my guitar (I didn’t; it was the right guitar for me at that point for sure), but some other points of comparison wouldn’t have gone amiss.

So talk to a few folks, your teacher will be a good start and is likely to know the best places to check out in your local area, and do a bit of research.

Knowing what you want can be a good thing. Sounds kind of like an obvious thing to say, but you’d be surprised. How well can you articulate what you’re looking for? Knowing what you want, or at least some notion of what you’re after can help you in searching out the guitar for you. It can help those searching out guitars for you or selecting stock from their shopfloor to pinpoint a few options for you (helping them to help you) and give you a handful of instruments to try rather than 20 gazillion options which all start to sound very similar after the 900th one.

And even if you do know what you’re looking for, it pays to be open minded. There may be an option that you’d not been aware of (see point above on unknown unknowns) or not really given much thought to, that may just pleasantly surprise you.

The piece of advice I’ve reserved for last is probably the piece of advice that I consider the most important. The right guitar will find you. That sounds a bit “woo woo” doesn’t it? Heh heh! It’s not really.

You’ll know when you’ve picked up the instrument that is the right one for you – something just clicks, it plays perhaps more fluidly than any of the others, the sounds, the tones, the vibrations resonate in your ears and your body like none of the others do. It just feels right. It’s something akin to falling in love. If you can’t take that guitar away with you right there and then, you just can’t stop thinking about it. The sound. The vibration. The feel. It’s true love! Well at least deeply amorous infatuation!

If haven’t got a clue what I’m talking about then you’ve probably not experienced it yet. But you will know. Trust me. Follow this piece of advice and you’ll definitely not make a mistake in your purchase.

OK. I did lie when I said that was the last piece of advice. There’s one more.

To coin a phrase I heard an associate of mine use recently (you know who you are!) – “there’s no “perfect” guitar, there’s only “perfect right now””. This is excellent because it means we get to go through the whole exciting and enthralling journey again in the future, experiencing developments in both guitar construction but also in ourselves –  hearing with different ears, playing with different hands and fingers…..Oh, and gives you a chance to top the piggy bank back up again!!

 

Lance Litchfield Guitars – Road Test of the C400 and C900 Cedar Tops

I’ve been very privileged this week to have in my possession two fine examples of Australian luthery.

Over the past few months Lance Litchfield has been touring his C400 and C900 cedar top guitars around the country, showcasing these fantastic instruments with players and teachers alike.

And this week was my turn! Yay!Litchfield C900 Guitar

The two guitars are very much different to one another and I’ll talk about them individually in a moment. They do share one thing – OK actually a number of things – in common and that’s a fantastic build quality, awesome attention to detail in the finish, beautifully playable and great tones (albeit slightly different ones). I love the matte finish on the soundboard of both of the guitars too.

I grappled the C400 first and straight out of the case the guitar felt like a good, solid and sturdy instrument. Not too weighty though, but just solid like you can really get to grips with it and not be frightened to really play it.

I’ll admit that initially I wasn’t quite sure about the C400, but it very quickly grew on me the more I played it. It’s not what I would call an immediately obvious guitar in terms of its sounds and its tone – well, not to me anyway being a lover of what I call the Aussie V12 modern powerful guitars.

However, as I said, it very quickly grew on me; it’s beguiling subtlety luring me in….. The C400 has a really warm, enveloping sound. Delicate yet beautifully solid and assured. Not overtly powerful, but really well balanced in terms of tonal range and a great sustain. It’s sound is like a big bear hug on your ears – soft and warm and all-encompassing…..Mmmm. It lacks a bit of punch in the forte range that I normally like, but this is not what this guitar is about. It’s more of a traditional guitar, with balance, poise and grace. Simply lovely.

The C900 then is what I would call a more modern guitar, a bit more of the Aussie V12 approach. But that doesn’t mean it’s rough as guts – ooh no. Perhaps a Porsche 911 is a better way of describing it – sleek, fine, beautiful, but with a bit of poke when you ask it to give you more. The sound from the C900 is clearer, brighter, but without being zingy at all, still with great tonal range and capable of some really lovely colours. A real joy to play.

Both the C400 and C900 feel very similar to hold and sit with and play – very comfortable. The neck on both guitars is probably a smidge too deep for my own personal preference and may not suit those with slightly smaller hands.

It’s not the fastest neck I’ve played, but certainly not the most challenging or slowest by a long way. The action is the lowest I’ve experienced on a classical guitar. The neck didn’t cause me too much of an issue when playing actually, so may just be a case of getting used to that slightly deeper profile.

All in all, the C400 and C900 are both really great guitars, a privilege to play.

For further information about the C400 and C900 and other Litchfield guitars head on over to www.litchfieldguitars.com. And if you want to contact Lance directly about his guitars drop him a line at lance@litchfieldguitars.com