Tag: Australia

Time for a group hug!

Nicole Neal2 Comments
English: The Guitar Ensemble of the .
Guitar Ensemble (Photo credit: Wikipedia)

 

Yes, you read it correctly. Time for a group hug!

 

Well, time to get together as musicians anyway…. The summer vacation is coming to an end here now in Australia and very soon the Classical Guitar Society of Victoria will be auditioning for new members of it’s awesome Guitar Orchestra. And yes, it is awesome. And no, not just because I play in it! Hah hah!

 

If you are in Victoria (and I know a lot of you, dear readers aren’t – bear with me here though guys what I’ve got to say will be relevant to you too…) and within reasonable regular travelling distance of Melbourne I can’t recommend highly enough coming on down to our regular rehearsal spot in Richmond on 24th February and auditioning for a spot in our beloved ensemble. Check out the website for more details: http://www.cgsv.org.au/default.aspx?d=693941

 

It fantastic fun and the other guitarists and our fabulous conductor (Ben Dix) are all fabulous people. You’d be crazy not to!

 

And the term “auditioning” is probably a little grander and a little scarier sounding than it really need be. We’re inviting folks to come down and check out our first rehearsal for the season to see what you’re in for (it’s all good, I can promise that too) and then you get to play a piece of two, followed by a bit of sight-reading for our lovely conductor Ben so he can check out your level, your abilities and where you may best fit into the existing group.

 

So, if you can, come on down – we’d love to see you there!

 

Why an ensemble?

 

If you can come along – and even if you can’t, as you’re in some other part of the world – there are MASSIVE benefits to playing in a group setting such as a guitar ensemble or orchestra. Yes. Massive. Tis true.

 

In a nutshell these are:

 

  • Honing your listening skills – being such a solo instrument, we guitarists tend to be quite self-indulgent at times, only having to listen to ourselves. Being part of a group with other guitarists or musicians pretty much forces you to listen to those around you, getting in balance tonally and dynamically, with sense of phrasing and so on. You also get really good at tuning up the guitar very quickly, even learning to tweak tuning a little on the fly!

 

  • Honing your tonal quality, touch and dynamic range – you thought your piano was soft and your forte was loud? Think again! you learn a whole lot about the dynamic range of your guitar and your ability to create those different variations when you’re in a group setting. And everything becomes magnified (well, kind of but we won’t go into the laws of physics here) by 12, or 15 or 20 or however many others there are in the group.

 

  • Stretching and seriously improving your sight-reading – when a brand new piece or section gets put in front of you and you need to read it straight off the bat….kinda scary at first, but exhilarating and fun in the end. Especially when you play that really prominent scale run one fret in the wrong position! Hah hah!

 

  • Fun! – Yes, it’s perfectly fine to make a few mistakes and to have a laugh about them! It’s such great fun to sit and play with other guitarists, and have a bit of a chinwag before and after rehearsal. You never know, you may even make a new buddy or two!

 

  • Improves your knowledge of the fretboard no end! – That scale run that you got wrong the first time through? You know for sure, each and every time where that starts. That D? S’right there. Easy. Bang. And yes, that of course then translates across into your solo playing.

 

  • Interacting and learning from other guitarists/ musicians – there will be musicians in the group who know a thing or two that you’d don’t – musically, technically, in approach – and it’s great to learn from your peers.

 

  • Helping other guitarists and musicians – yes, you may not think it but there are things that you know, you do, or have a certain approach to that your fellow guitarists don’t have in their armoury yet. And this is regardless of what level you’re at. By joining an ensemble you can help spread the love and get others thinking and others playing in different ways, ways they’d not thought about. How cool is that?

 

  • And if you’ve never played in a group setting before, it gets you a little bit out of your comfort zone and can help with issues of performance anxiety by playing in front of and with others.

 

So what’s stopping you?! Get in there!

 

Interview with Duo 19 – Part One

Nicole Neal3 Comments

I had the enormous pleasure a couple of weeks ago to meet up and chew the fat with Dan McKay and Antony Field of Duo 19. These guys, highly respected and well-loved figures on the Melburnian and Australian classical guitar scene, released their first recording, Fluid Lines, back in April last year (check out the review here). We had such a fantastically awesome, in-depth chat that I’m splitting it across two posts – lucky you reader!

So I took the opportunity to head over to the north of Melbourne, where Dan and Antony both live (and incidentally have taken the name for the duo from the no. 19 tram line which runs through their suburb into the heart of the city), and have a bit of a chinwag about what they’ve been up to, what their plans are for 2013 and how life is treating them. Here’s what we got up too…

An easy partnership

Antony and Dan had known each other for a long time before actually formally coming together as Duo 19. They started playing just a piece here, a piece there for a couple of years, learning things for Antony’s masters recitals, the occasional classical guitar society event, some Frederick Hand and Andrew York pieces. Before they came together as a duo they had a long musical background and association with one another – friends, teaching for one another, playing pieces here and there, hanging out. So it was fairly natural that they would play together at some point.

“It was really only a couple of years ago that we thought maybe let’s string a whole programme together and play a concert” (Dan)

The first full-length concerts they played as a duo was one of Ken Murray’s Guitar Perspectives concerts here in Melbourne, roughly two years ago. Coming out of that it was then that first spoke about making a recording. A lengthy, but very natural and organic gestation.

“Kind of the way you want a musical collaboration to happen in a way. It just sort of happened. Kind of nice.” (Antony)

Antony used to pass through Canberra on the odd occasion when Dan was still studying there, with Dan actually receiving a masterclass from Antony in one instance. “A hugely influence masterclass, that had a massive effect on me” said McKay rather tongue in cheek, “Yeah right, pulling my leg there” was Field’s response, with considerable giggles and boyish grins on faces ensuing!

And their approach to recording Fluid Lines was similar to that of their coming together as a duo – recording of a piece here and there, a fairly relaxed style until they had the whole album together. All in all it took them about 12 months to get all the tracks down and a further 6 months to get them all mastered, finalised and ready for release. Dan quipped that may be the next one will be even quicker!

New stuff and exploring ideas

The guys are working on a Rodrigo’s Concerto Madrigal for two guitars currently and hoping to do that with an orchestra at some point. They’ve also been working recently with Michael Avery on a video clip, hopefully to be finished in the next month or so, as a bit of a “calling card”.

They’ve also started throwing ideas around for their next recording, “some more modern, minimalist type of pieces in the Hinchinbrook (Riffs) style of piece”  says Dan.  Being backed up quickly by Antony confirming that they “dont want to do the same old kind of pieces. We like to do things that are a bit more aligned to where we are as people and musicians.” These guys are not up for cracking out an old standard of the repertoire just because they have a gig coming up. They are true explorers of the instrument and their viewpoint is summed up well by Antony when he says that “the world needs more interesting things, you know!”

Doing more interesting collaborations with composers, stuff like bring in turntables, tape and other objects and instruments into the performance situation also appeals to the duo. They’re really looking to push into unchartered water. So watch this space for some wiki-wiki-can-I-get-a-rewind classical guitar action from these guys soon. Hah hah!

They do recognise the need, however, to strike the balance between providing difficulty and challenge for themselves as players, interest to the listening audience and accessibility for those that may not be too familiar or comfortable with “non-standard” repertoire and grab people in.

Antony is also keen to point out that “I don’t buy the whole ‘ah yeah, let’s just do that’ thing”. 

“At the same time, you’ve got to play something”  counters Dan, with the two agreeing that it’s about striking the right balance.

Music lovers

As one may expect from two musicians who are into exploring the music that they play and create on their instruments, their listening tastes are fantastically eclectic too.

Dan’s favourites include The Beatles, The Band, Radiohead (particularly the In Rainbows album), Sigur Ros, King Crimson, Frank Zappa, Tom Waits, and most recently US hip hop duo Death Grips. From the classical repertoire Dan loves the French composers Debussy, Satie, Ravel as well as Bach. Dan says he likes to take a whole bunch of vinyl records out to his shed out back that he can’t play in the house as he knows his kids will hate it, his wife will hate it, heck maybe even he will hate it, and just sit and listen and give some totally different stuff a spin. Guitar-wise Dan finds himself listening mostly to Alirio Diaz, Julian Bream and Segovia.

Antony’s tastes include Queen (good man – this is my own latest musical obsession!) and Joni Mitchell. He describes himself as more of a functional listener, digging into the music and sounds of a particular artist or composer when starting a particular project featuring their music perhaps.

Antony likes to listen to a lot of guitar music, checking out the various ways in which different players approach the same music. He finds this assists him in his teaching too, “I like the research approach and being as informed as I can.” Most recently he’s listening been listening to guitarist Alieksey Aianna, who was out in Australia last year.

Part Two coming up!

That’s all for today folks! Check back in next week for part two of the interview with Dan and Antony’s views on the guitarists they most admire, and their top tips for guitar students.