Expanding your guitarist horizons – Florian Larousse

Hands up who likes listening to the “old masters” of the guitar? Recordings of Segovia, Williams and, of course, Bream? Lots of Bream!

Yup, me too. And the likes of Isbin, Parkening, Bonell and so on.

Nothing wrong with that, but if that’s all you’re listening too (and I’ll put my hands up to having been guilty of it in the past) then you’re really limiting yourself. Limiting yourself in terms of the fantastic approaches some of the newer and up-and-coming players on the scene have to well-trodden repertoire. Limiting yourself in terms of listening to some really beautiful tone production, approaches to shaping and phrasing and playing the music we love. Limiting yourself in terms of exploring forgotten repertoire that some of the newer players are bringing to light again, as well as newer repertoire.

By investigating some of the newer players you can have all of this, as well as exposure to improved recording technology which really brings out the nuances in the respective players’ interpretations. So, I’ve begun a bit of an exploration myself recently of some of the crop of the new generation of guitarists bursting onto the classical guitar stage and thought I’d share with you. The first of the young guitarists I’ve been really getting into recently is Frenchman Florian Larousse.

He’s a young whippersnapper, born in France in 1988, and began studying guitar in 1996 at age 8. He continued on to study at the Conservatoire National de Region de Paris and then the Conservatoire National Superieur de Musique de Paris in 2006, studying with Roland Dyens and Judicael Perroy.

As the winner of the 2009 Guitar Foundation of America (GFA) competition he recorded his recital under Naxos’ Laureate Series, which is a recording well worth checking out. Larousse plays with a fantastically warm and round tone, a great deal of clarity and sensitvity in his playing. I would go so far as to say that his interpretations of Dowland’s “A Fancy”,  “Lachrimae Pavan” and “Fantasia in G Minor” are now my favourites.

Check the album out: http://www.naxos.com/catalogue/item.asp?item_code=8.572565 It’s also on Spotify too (my new favourite music app!).

And here are some videos to whet your appetite…. Bon appetite!

 

Milos is coming Down Under!

Yes, that’s right. The Montenegrin marvel that is Milos Karadaglic is headed to Australian shores, kicking off his debut Australian tour in Brisbane on 22nd November.

Check out his playing and take a look here for some info on dates: http://vimeo.com/41269345

And in honour of this his lovely management team have given me two copies of his latest CD, Latino, to give away to two lucky blog readers! Oooh how exciting!!

Soooo A CD will be winging its way across to the first two readers pulled of of the hat who can correctly answer the following question:

Which luthier made the guitar that Milos currently plays?

Send your answer in an email to nicole@nicolelouiserogers.com by 23rd November. Got to be in it to win it!!

There may be a clue or two in previous blog posts to help you with this one……

Good  luck!!

Check out further details on his tour here: http://milos2012.com.au