The LMusA Diploma Journey – Update #7 – Taking The Pressure Off

Morning (or evening depending on where you are) folks!

Well, I’ve come to the realisation that this journey of progressing towards the LMusA is going to take a little longer than I’d anticipated at the start of this year. And that’s fine. I’m not under any time constraints with this – there’s no “must do” here, there’s no tangible, external reason for undertaking this. No outside force saying “you must do this, before you can do this” or anything like that. It’s purely an internal reason. That’s to say this is really largely about the journey for me and seeing how far I can take my playing. And that internal reasoning, in the past, has caused more pressure than an external driver! I can be a real pain in the backside to my own self sometimes! Or used to, I should say.

I have absolutely no doubt that I can achieve the LMusA. I say that without an ounce of arrogance and quite seriously. It’s just a matter of time. Well, that’s not quite correct. It’s a matter of putting in the right amount of quality practice with my chosen repertoire pieces to really get to know them, understand them, feel them, subsume them into my psyche. This does, of course, have a time element associated with it.

Like most of you (probably, I’m making assumptions here of course), dear reader, I too have a “normal” life, a non-guitar life. At the start of this year I actually ceased teaching and freelancing to focus on an exciting employment opportunity. So as well as working towards my own guitar goals and playing development, I’m also working a 40 hours (minimum) managerial level job that takes me around the country, with all the exciting and sometimes stressful challenges that go along with that. Plus, you know, family life, keeping fit and healthy, having time out for myself, looking after the dog, painting my apartment, looking for a new house to move to for a bit of a tree-change and all of that!

So as important and a significant part of my life as playing classical guitar is, I’ve realised, however, one has to be flexible with these things. If you want to set a strict timeline for yourself and you find that a really good driver for yourself personally, go for it and all power to you! For myself though, over the last few years I’ve realised I thrive and develop and actually play at my best when I take some of the pressure off of myself. In this instance this is a time pressure. I’ve released the pressure valve by saying ” you know Nicole, you know when you’ll be ready. Keep working whenever you can, in that focussed manner and we’ll get there. No rush. No due date”.

I’ve found that when I get the time to practice, which I still aim to do most days of the week in some form or other, I’m super focussed on what I’m doing. I’ve also found my output (for want of a better term) is almost fast-tracked relative to the time I put in – I’m focusing on quality practice, sorting out niggles. I’m focussing on beautiful sound, and a clarity in my sound. I’m focussing on clarity of direction.  As a result of releasing the pressure from myself, I’m having a lot of fun with it, it’s adding a new dimension to my playing, and my playing is better than ever!

Dear readers –  What are your drivers? Do you need to release any pressure or tension – actual, perceived, physical, mental? And if so, where?  Some food for thought……

 

Andrey Lebedev Presented By The Julian Bream Trust With 2 World Premiere Performances

Well, its fair to say that we Australians (and Victorians in particular) have had a good share of the envy-inducing classical guitar gigs of late. Now it’s the turn of the UK (again) to make us Antipodeans green around the gills, via an upcoming Australian talent no less!

The legendary Julian Bream and his Trust, together with the young Australian Andrey Lebedev, have come together to extend recently written repertoire for the instrument.

Amongst other things, the Julian Bream Trust was formed to present substantial and often ignored music written for the guitar, with a particular focus on new literature. Andrey Lebedev’s concert has the unusual inclusion of two world premieres of works by Sir Harrison Birtwistle and Leo Brouwer, both commissioned by the Trust.

Andrey, who was personally chosen by Julian Bream for this particular concert (nice!!), has been visiting Bream from time to time at his home in Wiltshire (I’m not envious at all Andrey…..). They have collaborated closely, working through the new music as well as the more conventional works in the programme.

Birtwistle’s piece is inspired by Picasso’s Construction with Guitar Player. It’s an immense and very dense work,” says Lebedev, “built around a short piece he wrote for his wife’s funeral and played by their son Silas. It’s a great honour for me to be giving the first public performance of a work written by one of the foremost composers of our time.

Leo Brouwer’s Sonata No.5 Ars Combinatoria, is the second sonata he has written for Julian Bream. “It sparkles with Brouwer’s personal and richly resonant guitar writing, developed in his youth as a gifted concert guitarist and refined over decades of brilliant writing for the instrument” says Bream.

Andrey Lebedev  Photo: Shannon Morris
Andrey Lebedev
Photo: Shannon Morris

Andrey Lebedev is at present a post-graduate student at the Royal Academy of Music, partially assisted by The Julian Bream Trust and the Associated Board of the Royal Schools of Music (ABRSM).

CONCERT DETAILS

7.30pm, Thursday, 4 December, 2014
St John’s Smith Square, London, SW1P 3HA
Andrey Lebedev guitar, presented by The Julian Bream Trust

Andrey will be playing:
JS Bach Partita in D minor BWV 1004
Harrison Birtwistle Beyond the White Hand – Construction with Guitar Player World Premiere
Leo Brouwer Sonata No. 5 “Ars Combinatoria” World Premiere
Takemitsu In the Woods – Three pieces for guitar
Ginastera Sonata for Guitar, Op. 47
Tickets: £20 / £15 / £10
Box Office: +(0)20 7222 1061 / http://www.sjss.org.uk

Check out more about the event here:
www.sjss.org.uk/events/andrey-lebedev

And check out more about Andrey at his website:
www.andreylebedev.com