Five of My Key Learnings On My Journey With The Classical Guitar

I was thinking the other day what my top tips would be, or rather key pieces of wisdom, I’ve come to learn over the past twenty-odd years of playing classical guitar. And (as I always say) I thought I’d share! So here is quick on with five of my key learnings on my journey with the classical guitar……. (I’m sure more will follow in the ensuing weeks as more gems pop into my brain!)

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(1) Trust yourself

Trust your own interpretation of the music you’re playing. You’re the musician bringing the music to life, trust what you bring to the music, your thoughts and ideas on how it should sound. Avoid the temptation to try and make it sound like someone else’s interpretation. And don’t be beholden to stylistic boundaries – sure be reverent to the style, time period etc, but don’t get too hung up on it in my opinion, particularly if you feel moved in a certain direction otherwise we’ll all sound the same! Go for it.

(2) Cultivate your sound

Aways listen to what you’re producing. The music is in the sound – sound quality rules over note accuracy (well, kind of, to a point!) Note accuracy, technique and so on is just the mechanics of the music. Your sound is where it comes alive. Listen to it. Be inspired by others, but don’t wish to have the sound of others. Your sound is you.

(3) Turn up and practice regularly

Regularity and being truly present in the process is the key to making progress. Practicing more often than not practicing in terms of days of the week. Keeping things moving. It’s a never ending process.

(4) But don’t stress out if you can’t practice

The guitar is not going anywhere. And you may find the break has done you good. Not stressing is also vitally important in making progress!

(5) Things don’t necessarily get easier the pieces just get more challenging!

Well, that’s only partly true really, a number of things really do get easier over time with consistent practice – sight reading, left and right hand techniques, tonal control and so on. What doesn’t necessarily feel easier is the learning and getting to grips with a new piece, that is to say if you’re pushing yourself with more challenging repertoire.

And you don’t notice this change at the time. It kind of feels like things are still hard. But go back to something you were playing or learning a year or two (or more) back, or better yet something you might have looked at at that time but found perhaps a little too challenging at the time and you may just surprise yourself. I know I have and continue to!

Melbourne Guitar Foundation presents Guitar Virtuoso Minh Le Hoang in Concert, Saturday 9th May 2015

Michael MacManus and Evan Hopkins of the Melbourne Guitar Foundation have been busy little bunnies over the summer off-season putting together what I’m sure will be an awesome line-up of concerts and guitar-related awesomeness for the 2015/16 season.

And to kick things off they’ve lined up none other than Canberra-based guitar virtuoso Minh Le Hoang on Saturday May 9th at 7pm at St Mary’s Church, 430 Queensberry St, North Melbourne in a program of guitar works inspired by the  music of Spain, Latin America and J.S. Bach.

The Melbourne Guitar Foundation was created in 2014 to promote and cultivate the classical guitar in Australia through concerts and masterclasses with the world’s most prominent guitarists. This concert, part of the MGF’s second concert season, promotes one of the world’s leading players – Head of guitar studies at the Australian National University and winner of the 50th Tokyo International Guitar Competition, Minh Le Hoang.

Minh Le Hoang

Minh’s program features many Spanish favourites, including works by Rodrigo, Torroba and Ascencio. He will also present 4 South American Pieces by Garoto, Gismonti and Fernandez and the renowned Lute Suite no.1 by J.S. Bach.

The award-winning Minh Le Hoang has toured throughout the United States, Southeast Asia and Australia both as a soloist and as a member of the leading guitar ensemble, “Guitar Trek”. In 2008 he released the critically acclaimed solo album “The Fall of Birds” and a more recent recording “Duo Merindah” featuring music for guitar and flute.

Tickets for the concert may be purchased online at melbourneguitarfoundation.com or at the door. Online tickets are $25 ($20 concession) if booked before April 24. Tickets at the door are $30 ($25 concession). 

One of the members of Guitar Trek, Minh Le Hoang established his solo credentials with a dynamic Ginastera Sonata. In an inspired piece of programming, the Ginastera was followed by the charming and under-rated Collectici Intim by Vicente Asencio, the rare juxtaposition of these contrasting middleweights yielding a kaleidoscopic finale.” Paul Fowles – Classical Guitar Magazine.

Be sure to head back this way in a couple of weeks folks for an interview with the man himself!