App Review: Are you playing InTune?

I was recently invited to road test a new iPhone and iPad (sorry, Android and Windows users!) that aims to help musicians fine tune their ear and, of course, play in tune.

We guitarists have a distinct advantage over our bowed string cousins in that we have frets guiding us to the correct placement of our fingers to play the correct tone and play in tune. We can, however, fall foul of accidentally bending strings whilst playing, particularly with three or four note chords that may be in slightly awkward positions or requiring fiddly movements. We can also, most definitely, fall foul of playing out of tune from the get go with sloppy tuning! Many is the time that I’ve stopped a student after playing the first couple of bars because their tuning has been less than pleasing to the ear! Hah hah!

And they may not have noticed at all, because their ear is not yet attuned, so to speak, to finer degrees of intonation. Having played for years, playing day in, day out and listening to all manner of students most days ones ear can becomes attuned to the finest of changes in intonation. This takes time, obviously.

This neat little app (which is actually version 2.0 of a previous model) aims to assist music students develop their finer and more detailed ear for intonation

The concept for the app began as a simple game to test the ability to hear two pitches that are very close in frequency. But then in a psychology study at Wittenberg, cellist and professor of music Daniel Kazez discovered that students’ listening improved the more often they played — at triple the rate of those who did not.

“Playing in tune is of critical importance to musicians, but students are often a bit hazy on how to work on it,” said Kazez, who has spent decades researching intonation and perception. “InTune creates a fun, concrete path for musicians to test and improve their listening, and now the app enables them to compete with their friends.”

Wittenberg’s first app, Composer of the Day, was named one of the Top Five Classical Music iPhone Apps by WQXR, America’s most-listened-to classical music station. With InTune, Wittenberg’s Music Department expanded into the field of mobile music education. InTune has been a top 25 music app in more than 40 countries, including the US, Canada, UK, and Finland.

InTune has been featured by AppAdvice and evolver.fm wrote,” Anyone with an interest in sound will enjoy this…. Whip out your phone and challenge the intonation of your friends.”

The app has four playing modes adapted for different instruments (i.e. different pitches), and integration with Game Center, Apple’s social gaming network, enabling users to challenge their friends.

So what did I think?
This app is a really neat little idea, and I can really see the benefits for helping music students develop their ear, in a fun, game-like way. The interface is really simple and easy to use and you can mix things up with high, medium or low pitches or a mixture of all three. Playing the game, you get given a tone at a set pitch followed by a second tone at a different pitch – the game is to say whether the second tone is higher or lower than the first. The game starts out pretty easy with the difference between the two being very easy to discern. The more you get right the more difficult the game becomes, with smaller and smaller differences in pitch between the first and second tones. Like all good games you get three strikes and then you’re out, and they tip things back slightly easier when you get one wrong (nice touch).

With each set of tones the app tells you what percentage of a semitone (or half steps as the app calls it) there is between the two tones – the game starts out at 100% of a semitone (I told you it started out easy) and gradually gets less and less. I got to 2% of a semitone on my first bash at it, so I was pretty pleased with that!

I  think an interesting addition to the app, particularly as the game becomes more and more challenging, would be an additional option to say whether the second tone is the same pitch as the first tone. I think this addition would make this more like a “real world” situation – for example, if you’re tuning to a note played on the piano or tuning to yourself on the guitar you have the option, as it were, to think it’s exactly the same tone, not just a degree higher or lower. Could be an interesting little addition to make it more challenging still, guys?

Other than this, I think it’s a great little app and could be used by teachers in the studio as well as students at home on their own. And at $0.99 it’s a bargain too.

Overall, I give it four rubber chickens out of five.

Check it out here: http://www5.wittenberg.edu/academics/music/app-intune.html

 

 

 

 

Album Review: Michael Sheridan – Prelude

Well, I’m lucky enough this week to have another album from another up-and-coming talent on the classical guitar to review for you. Ahh, it’s a tough gig this one…

This time I have the debut album from Brooklyn, New York-based classical guitarist Michael Sheridan – Prelude. Interestingly, rather like Daniel Nisitco (who’s album I reviewed last week), Michael also crowdsource financed his debut through a Kickstarter project. He was, of course, successful in this, even managing to snag Andrew York as a backer. Nice! This was his Kickstarter page, in case you’re interested: http://www.kickstarter.com/projects/370648847/michael-sheridan-music-for-solo-guitar

Michael has been playing guitar since the tender young age of 7, being largely self-taught and then guided later on in his learning career by Phil de Fremery (who himself studied with Segovia and Oscar Ghiglia).

The album is heavily tango, jazz and South American-style inflected and most definitely influenced by Michael’s relationship with the French composer-guitarist Roland Dyens, featuring two of his pieces (including the perennial favouriate Tango en Skai  and Berceuse Diurne dedicated to Michael himself) and three others arranged by Dyens (Angel Villolodo’s El Choclo, Django Reinhardt’s Nuages and Carlos Jobim’s Felicidade).Prelude album rear

Other works on the album include Villa-Lobos’ Choros No.1 (with a particularly beautiful middle section played here by Michael), an original by Michael called The Expatriates (demonstrating elegantly that he can write as well as play, with a piece that provides a thoughtful, melancholy contrast in the middle of the album to the more flamboyant and faster tempo tunes preceeding it).

Oh yes, and he also has some Bach on here too, with the Prelude from Cello Suite No. 3 – yes, an obvious choice when one is putting together an album of largely South American flavour, of course! Hah hah! And why not? Fantastic, I say! Michael clearly demonstrates that he is not a one trick  pony, that he has the great technical facility required for a piece of this nature, but also – very importantly – the musical facility to really make the piece sing. Lovely work.

Above all else there is one thing in particular that this recording demonstrates and that is Sheridan’s passion for music and the guitar. This comes through very clearly and Michael has this in absolute spades. My particular favourite pieces on the album are El Choclo (just a great straightahead tango, played the way it should be with guts, gusto and panache), the Bach Prelude from Cello Suite No. 3 (for reasons cited above) and Dyen’s Tango en Skai – this has a great “grown up”, sultry quality to it and is a piece that Michael is obviously extremely at home with.

Michael Sheridan’s Prelude is available now for download from iTunes: https://itunes.apple.com/us/album/prelude/id660302301

Check out the blog later in the week for a bit of a Q&A with Michael to find out a bit more about the man behind the music.

If you can’t wait until then, head on over to Michael’s website: http://www.michaelsheridanmusic.com