Get excited! It’s the Adelaide International Guitar Festival!! Woop!

Australian International Guitar Festival
Get yourself over to Radelaide!                           Photo credit: badjonni

Good morning! Firstly, before I launch into today’s post I have uploaded a new podcast for you: Do you really know what you know?

As always you can find these over on the Podcasts page.

Right. On with today’s post and it’s time to get excited people! Well, it is if you’re a music lover and general guitar nut and you happen to be in the capital of South Australia next weekend. Yes, that’s right it’s time for the Adelaide International Guitar Festival. Woop woop!

The Adelaide International Guitar Festival (or AIGF for short, because those are long words to keep typing. Or not. Just me being lazy…..) runs over four days from Thursday 9th to Sunday 12th August, and is a veritable smorgasbord of guitaristic adventures.

If your passion involves things with six strings (or even four, or seven or more) then it sounds as if this will be the event for you. The event caters not just for the classical guitar crowd, but will feature a plethora of exciting Australian and international talent in jazz, blues, folk, swing, bluegrass, flamenco and rock. How could you not get excited!

This will be the fourth running of the AIGF, and features for the second time our very own Slava Grigoryan as Artistic Director for the festival. Slava has managed to use his considerable influence to pull together an amazing line-up of musicians, including:

You can experience these artists across a number of formats too, ranging from full-on concerts to more intimate late night sessions, from masterclasses to workshops.

If that weren’t enough there will also be opportunities to meet some of the finest guitar makers Australia has to offer (including Redgate and Caldersmith) and opportunities to test out the credit card limit with guitars and goodies galore on offer on the trade stands.

The Classical Guitar Society of Victoria, I’m also very pleased and excited to say, will be presenting its “Segovia on Toast” concert-cum-presentation session to the Adelaide audience, featuring performance from Slava himself. Lucky you Adelaide!

And of course, no discerning festival is complete without a bit of a competition is it? The AIGF is no different, with initial selection rounds having been carried out several months ago. The top prize in this year’s competition will see the winner scoop $10,000 and a Jim Redgate guitar valued at $16,000. Ooooh!

This year will be particularly exciting with some very hot, upcoming talent being represented, including none other than Melbourne’s Dan Nistico, Evan Hopkins and Ziggy Johnston. As is the nature of these things there can only be one real winner of the competition, but I am sure that these three lads will do fantastically well whatever the competition outcome. Good luck!

If you want to head along, or want to find out a bit more about the event go to: www.adelaideguitarfestival.com.au

For those of you unable to head along here are some videos of some of the featured artists to keep you entertained…..

Have fun in Adelaide everyone and good luck to all the performers!

How should I practice?

As a teacher one of the most frequently repeated phrases I hear from students on pulling their guitar from their case is “oh, I’ve not done much practice this week”. And it always makes me chuckle. What is “not much” to one person can be “quite a lot to another” and what you do in that “not much” counts for a lot too.

Anyway, here are my top tips for practice time…
Make each practice session count

Don’t just plonk yourself down and go through the motions of a few scales, arpeggios and a play through a piece. What do you really want to get out of the session?  What are you wanting to improve or change and how are you going to do it?

I quite like this cheesy management-type quote I saw recently, that kind of fits well here:

with better awareness you can make better choices and when you make better choices, you will see better results”  Robin Sharma

Think ahead and plan your week out a bit

Do you know what days or times that you wont be able to practice due to other commitments? Make sure you know those and plan your practice sessions in around those and avoid the “oh, I’ll have a day off” and then the next day “oh bugger, I can’t practice tonight because I’ve got to “whatever it is” to do

Do a little bit and often

This is probably one of my biggest recommendations. If you only had, for argument’s sake, 3 hours total in a week to practice. You’d be far more likely to see development and progress by splitting that time across six half hour-long sessions, than one or two über-sessions. You don’t see a marathon runner training just one or two days a week; they tend to split their training across the week. Consistency is the key for them, and same for guitarists.

Think of it being more about frequency and quality rather than straight-up quantity.

The brain will pretty much forget what you practiced last time, or at the best, not progressed from where you left off, if you’re only practicing once or twice a week. You’re also less likely to suffer from mental and physical fatigue if you’re breaking it down into more manageable chunks.

By practicing a little bit every day you’re reinforcing the learning both in your brain and in your muscle memory. You’re also better able to build a little on the previous day’s learning each time.

Practicing a little every day, particularly when first starting out or first coming back to the guitar after a hiatus of some kind, can help turn practice into a habit. We are creatures of habit and our brains are apparently happy when we’re doing familiar things. Someone told me that it takes doings something 11 times to turn it into a habit and I’ve also heard repetition over 21 days – not sure of the truth of that, but it sounds good, and not so long in the grand scheme of things.

Enjoy it!

Most importantly, have fun with it. OK, there are going to be challenging moments, and nothing worthy is achieved without hard work but,  the over-riding experience should be FUN. We play guitar, we play music, because we love it. Practice time should, above all, enjoyable. Keep it mixed up and vary what and how you practice to keep it fun and interesting for yourself.