Melbourne Symphony Orchestra 2015 Season Launch!

This is one of those times where I call upon the “n Stuff” element of the blog’s title! Hah hah!

As you know (if you’ve been following the blog) I’m keen on promoting and bringing to a wider audience the various facets of our instrument, the classical guitar – classical guitarists well known and rising, classical guitar music also both well known and less so, the “hardware” associated with the art form, approaches to learning it, developing technique and so on.

I’m also extremely keen on helping breakdown the notion that classical music is some rarified and “special thing”. As I’ve said on the “About Me” page for a long time – Yes, it is special in that all music is special, but not special in that it should be accessed by only a privileged few. Classical music is for all. I’m keen as mustard, one might say, to encourage people to experience the wonders of Western classical music.

One of my favourite things to do is to experience a symphonic orchestra in full-flight. Witnessing 80 highly-skilled musicians, professionals at the top of their game, working to produce such beautiful (mostly!) music together is astounding. I fully encourage others to share that experience too, particularly guitarists who are often singular creatures by nature and who don’t often experience that wonderful experience of playing with a vast collection of other musicians. I find sitting back and letting those other musicians do all the hard work whilst enjoying the fruits of their labours is really quite inspiring thing for myself as a guitarist!

I was privileged this week to be invited to the launch of the Melbourne Symphony Orchestra’s 2015 season launch. I was rather excited! And I was rather excited to see some fantastic works coming up  – some more Tan Dun works (including one featuring the composer himself as conductor), film scores played live with screenings of their respective movies including Star Trek and Babe, Berlioz’s The Damnation of Faust featuring Welsh superstar bass-baritone Bryn Terfel, a full revisit of Beethoven’s famous 5 hour epic 1808 Vienna concert, a festival of all new music including the Jonny Greenwood’s (of Radiohead fame) orchestral suite There Will Be Blood and Britten’s War Requiem played as the MSO’s tribute to the 100th anniversary of the ANZAC landings at Gallipoli in World War One.

I am also rather excited to say that I will be extremely privileged over the coming months to feature previews and reviews, for you dear readers, of the marvelous Melbourne Symphony Orchestra (whoop!).

Head along to the Melbourne Symphony Orchestra website to check out the 2015 performance schedule – http://www.mso.com.au/whats-on/list?series%5B1105%5D=1105

And of course I can’t leave you without some music, so here’s a taste of the orchestra with a YouTube playlist. Enjoy!

Andrey Lebedev Presented By The Julian Bream Trust With 2 World Premiere Performances

Well, its fair to say that we Australians (and Victorians in particular) have had a good share of the envy-inducing classical guitar gigs of late. Now it’s the turn of the UK (again) to make us Antipodeans green around the gills, via an upcoming Australian talent no less!

The legendary Julian Bream and his Trust, together with the young Australian Andrey Lebedev, have come together to extend recently written repertoire for the instrument.

Amongst other things, the Julian Bream Trust was formed to present substantial and often ignored music written for the guitar, with a particular focus on new literature. Andrey Lebedev’s concert has the unusual inclusion of two world premieres of works by Sir Harrison Birtwistle and Leo Brouwer, both commissioned by the Trust.

Andrey, who was personally chosen by Julian Bream for this particular concert (nice!!), has been visiting Bream from time to time at his home in Wiltshire (I’m not envious at all Andrey…..). They have collaborated closely, working through the new music as well as the more conventional works in the programme.

Birtwistle’s piece is inspired by Picasso’s Construction with Guitar Player. It’s an immense and very dense work,” says Lebedev, “built around a short piece he wrote for his wife’s funeral and played by their son Silas. It’s a great honour for me to be giving the first public performance of a work written by one of the foremost composers of our time.

Leo Brouwer’s Sonata No.5 Ars Combinatoria, is the second sonata he has written for Julian Bream. “It sparkles with Brouwer’s personal and richly resonant guitar writing, developed in his youth as a gifted concert guitarist and refined over decades of brilliant writing for the instrument” says Bream.

Andrey Lebedev  Photo: Shannon Morris
Andrey Lebedev
Photo: Shannon Morris

Andrey Lebedev is at present a post-graduate student at the Royal Academy of Music, partially assisted by The Julian Bream Trust and the Associated Board of the Royal Schools of Music (ABRSM).

CONCERT DETAILS

7.30pm, Thursday, 4 December, 2014
St John’s Smith Square, London, SW1P 3HA
Andrey Lebedev guitar, presented by The Julian Bream Trust

Andrey will be playing:
JS Bach Partita in D minor BWV 1004
Harrison Birtwistle Beyond the White Hand – Construction with Guitar Player World Premiere
Leo Brouwer Sonata No. 5 “Ars Combinatoria” World Premiere
Takemitsu In the Woods – Three pieces for guitar
Ginastera Sonata for Guitar, Op. 47
Tickets: £20 / £15 / £10
Box Office: +(0)20 7222 1061 / http://www.sjss.org.uk

Check out more about the event here:
www.sjss.org.uk/events/andrey-lebedev

And check out more about Andrey at his website:
www.andreylebedev.com