Album Review: Falling Like Tears – mimi duo

I have been super-fortunate once again over the past few weeks to have the pleasure of listening to and reviewing another wonderful new recording, comprised of almost entirely original compositions (save one piece). Falling Like Tears is the first (and Kickstarter campaign-backed) recording from classical guitar and piano pairing, mimi duo. Also being a pianist, as well as classical guitarist myself I was quite excited to listen to this recording.

The WA based mimi duo features guitarist, composer and arranger Duncan Gardiner and pianist Setsu Masuda. Masuda’s story as a musician I find particularly interesting and heart-warming in that she returned to piano after a hiatus only in 2009, and holds now the AMusA and LMusA from the AMEB as well as performing in the mimi duo and other performance settings. A super talented woman!

Gardiner is perhaps more well-known to those in Western Australian and Australian classical guitar circles and already having toured internationally, and with three albums and a book of original works to his name. A super talented chap!

mimi duo have been playing and performing together since 2012 and in 2015 they featured as guest soloists with the Fremantle Symphony Orchestra. This year (2016) sees them take to the international stage with a tour of Japan. A super talented duo!

Falling Like Tearsmimi duo’s first recording is somewhat a case of art inspiring art inspiring art. A good proportion of the recording has been inspired by a story – The Rose, the Butterfly, the Bee and the Moth – written by renowned author Jane Harrison. Harrison’s story had then been illustrated and turned into an art book, apparently a sculptural art installation which opens up like a concertina, by artist Jo Darvall.

I won’t give the game away on the story, but Harrison’s story is presented with some of Darvall’s artwork within the beautifully presented CD packaging with the recording.

Again,without wanting to give the story away (and I encourage to you to head over to iTunes or www.mimiduo.com.au to grab your own copy) each of the pieces has been very sensitively composed and very much reflective of the different phases of the story it has been written around.

It’s challenging to pick a favourite track from the recording as they’re all really lovely pieces in their own right (each ranging from around 2 minutes to about 7 minutes in length), 15 tracks in all.

mimi1

If I had to be pinned down to favourite track, however, I would probably have to go with Slowly, Deeply, which is a crucial pinnacle point in the story.

Slowly, Deeply is a piece featuring a bittersweet, slightly melancholy piano melody to the fore, with the guitar providing some wonderfully coloured, shimmering chords (great playing, and fabulous tonal shifts and control on the part of Duncan). The piece, about halfway through, then moves into a more urgent, pressing reinforced melody from the piano, with some fabulous tremolo action in the background from the guitar. The guitar then drops away with quite dramatic effect to leave the piano playing solo with plenty of sustain pedal, before the guitar then enters again with some wonderful fade in-fade out chords. A very beautiful piece.

And if I had to be pinned down to another favourite I’d go with A Thousand Cranes Beat Their Wings – a wonderful, Japanese-inspired interplay between the guitar and piano. This piece is not a part of the The Rose, the Butterfly, the Bee and the Moth story, but rather a piece that Duncan was inspired to write following the terrible earthquake and tsunami that struck Japan in 2011. The mood and style of the piece is one that fits in very well indeed with the mood and style of this recording.

All in all, Falling Like Tears is an incredibly beautiful piece of work, featuring some wonderful original compositions for guitar and piano, presented in a manner sensitive to the music being presented by two clearly talented musicians. I highly recommend this recording if you’re a fan of contemporary classical guitar, of new music or of heartfelt and haunting lyrical melodies and soundscapes.

Visit www.mimiduo.com.au to find out more about mimi duo and to grab your own copy of Falling Like Tears. You can also do the download the album from iTunes.

Album Review: Premieres by Hilary Field

I have been fortunate yet again, dear readers, to have the enormous pleasure of listening to and reviewing for you a fantastic recording, this time by award-winning guitarist/composer Hilary Field.

This recording features world premiere music by contemporary composers that celebrates the natural lyrical, rhythmic and harmonic beauty of the classical guitar. It features contemporary pieces, some of which have been dedicated to Hilary, from Richard Charlton, Douglas Lora, Jorge Morel, Alberto Cumplido, Victor Kioulaphides, Nadia Borislova, Gerard Droza, Rick Sowash and Field herself.

In the recording’s creation, Hilary worked closely with each of the respective composers to expand the guitar literature  – a huge plus point for me and something I think that more classical guitarists should be venturing to do. So first “well done” on that Hilary, as far as I’m concerned!

And for those of you not familiar with Hilary, she’s a Seattle, Washington based guitarist and composer and has garnered praise for her dynamic virtuosity, her sensitive musicianship, and for the emotional depth she brings to the heart of classical guitar music. Hilary is a past winner of the Northwest Young Artist Series Competition and was the first guitarist to win the Francis Walton Soloist Competition. She has held faculty positions as the head of the Guitar department at Seattle Pacific University and Pacific Lutheran University. She has released several award winning CDs, including her debut recording, “Music of Spain and Latin America,” which was an award winner for Classical Album of the Year by the National Association of Independent Record Distributors. Hilary was recently sponsored by the US Embassy to perform and tour in South America, and has been a featured performer in international guitar festivals such as Festival Entrecuerdas in Chile, Festival Internacional de Guitarra ICPNA in Perú, and Série Grands Concerts in Québec.

On first listening, aside from I’m struck by the quality of the playing, depth of musicality and great selection of newer pieces.

The Giga from Jorge Morel’s Suite for Olga could well be my favourite from the 19 individual tracks on the album – sprightly, fun and stunningly played. Controlled abandonment, if that makes sense?! I could hear that in lesser hands this could get out of control! Clear and precise lines, yet with a tangible sense of enjoyment in the playing and unwaveringly beautiful tone throughout. A really lovely closing piece to this great three piece suite from Jorge Morel.

Richard Charlton’s Lauro-inspired Vals by Moonlight from the Suite Latina  and Douglas Lora’s Northeastern Lullaby are also worth a mention, with the former creating somewhat of an earworm for me. I want to play it for myself now – there’s a real inspirational quality to Hilary’s playing that I’ve not experienced for a while with a recording.

And I can’t overlook the opportunity of course to mention Hilary’s own piece Donzella: Fantasia on a Sephardic Lullaby. A heavenly melancholy delight. And you can take a listen (and watch) for yourself right here…..

 

Donzella: Fantasia on a Sephardic Lullaby

Overall Premieres is a high quality recording – superb playing with beautiful depth of tone, excellent production and a great collection of contemporary classical guitar pieces (something we definitely need more of out there). A highly recommended recording, and quite possibly one of my favourites for the year. Very well done indeed.

Premieres is available now on iTunes, Google Play, Amazon and all good record stores. Do yourself a favour and buy your copy now!

And if you want to catch Hilary in person she’s currently scheduling a number of release concerts and will be featured in a number of upcoming international guitar festivals – check out her website for more details: www.hilaryfield.com