Andrew Rubin Interview -Part Two

If you didn’t catch the first part of my interview with young up-and-coming guitarist/ composer/ multi-talented young musician, Andrew Rubin, then be sure to head here: Introducing Andrew Rubin and a New Guitar Concerto! Interview – Part 1

Here’s the second and final instalment of my inspiring interview with Andrew – I promise you it’ll make you want to go grab your guitar and do something new and different!

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So you’re a bit of multi-talented individual – you’ve come from a rock background, with your Dark Days project very funky kind of stuff, and The Magician a really interesting, cool piece of work with the animation along with your wonderful piece of music. I think you have a gift for orchestration. Do you see yourself working on these different kinds of projects going forwards?

Absolutely, and that’s the thing is that even though half of me is leaning towards going towards orchestration and scoring and stuff like that, I don’t want necessarily to….. I guess in music I like to jump from genre to genre. Even listening wise, you know. I could be on jazz for a while or even electronic music. I love artists like Frank Zappa who crossed over many different genres and just went wherever their muses took them. I aspire to be that same way, I would love to do orchestration and film score kind of stuff, but I also have a soft spot for writing pop songs like Dark Days. I want to do it all!

What’s next for you? What’s your next project?

For 2017 I kind of two projects going on right now. Dark Days was kind of the first song off of this four or five song EP that I was going to put out, with collaborations with different people. All sort of in a similar vein of two to three minute long, simple songs. And then at the same time I’ve been trying to construct a new classical piece, leaning towards a ballet kind of thing. I’ve been really inspired by Stravinsky, Rimsky-Korsakov and that vein. It’s one avenue I’ve not really explored yet, so it’s really exciting.

And so you’re playing some gigs this year too?

Yeah, actually at this very moment, in 25 minutes! Yeah, I’m very fortunate to live on the central coast of California, which has a lot of wineries and a lot of really nice places to play. It’s really nice here, and I’ve been lucky enough to be able to play most weekends. And today is my first attempt at being able to perform the concerto with a backing track and doing a live thing today. So it will be a fun experiment.

How do you prepare for gigs?

If you’re going out there doing it by yourself definitely make a checklist! There’s so much stuff to remember. I’ve been to gigs before where I’ve forgotten the head of the PA. Be organised!

It’s important to not lose the aspect of improvising. I don’t like to make set lists, because you have to read the room, and know that you don’t want to put your best song at the beginning when the room hasn’t filled up yet and stuff like that. It’s fun to be spontaneous and have that element of uncertainty. That can lead to really cool ideas and really cool performances. Some of the best performances have been off the cuff, in the moment sort of things and so it’s always this constant balance of structure and letting go with music and performances.

Who are your inspirations as a musician? You spoke about Frank Zappa, who else or what else inspires you?

I think as I’ve gotten a little older I really look up to artists who, kind of like what I mentioned before, like Frank Zappa. I may not know his entire catalogue or all the music that he’s done, but as an artist what he was able to do. Very similar to David Bowie and Miles Davis. Individuals like that who were always reinventing  themselves and never kind of stuck with one thing, I really look up to those kind of individuals and aspire to be to that same way in my own career. God willing if I could be that way it’d be awesome!

As far as musical influences, as I mentioned before, that kind of changes from a classical angle I love Debussy, Stravinsky and Sibelius. And those people that really stood for what they believed in artistically, and did whatever they wanted and didn’t really care what other people thought. That inspires me.

What top tips would you have for folks out there who are perhaps aspiring to start composing or writing or start arranging or doing something different?

Well, I would say get out of your comfort zone and don’t ever say that you can’t do something, or think you can’t do something. Because the greatest things that have happened to me in my time of being a musician have been because I thought “why not?”. I’d have never gotten into orchestration if I hadn’t said to myself “why not try doing this?”. You know, I’m not formally educated in doing that, but kind of by stretching myself and trying it, you never know what can happen. So don’t ever box yourself into a “I’m only a singer-songwriter”, “I’m only a guitarist”, “I only do this” – try anything you want and go with it because you need know what might happen.

So you’re self-taught on the guitar?

Yes, for many years that was sort of my thing, it was just a lot of practice, a lot of bedroom practice just all the time. And when it came for orchestration it was a lot of reading books and self-study, and it wasn’t until about halfway through that process where I actually got a teacher, he actually showed refine it technically – “here’s the correct way of doing things”, “here’s the theory behind this and that” you know.

But up until that point it was a lot of reading books, a lot of listening to music, a lot of intuitive processes. Trial and error definitely.

So what do you do get up to when you’re not writing or playing?

Well, I love hanging out with my dogs. I’ve got two dogs – they’re like my kids. I’ve got an Australian Shepherd and Border Collie. They’ve got lots of energy all the time so they tire me out when I have my down time. So I like to spend time with them.

But I do music so much it’s kind of funny to think of my down time. I’m always like “what am I going to do next?”

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Well, after that interview and checking out some of Andrew’s recent work I’m sure you, dear readers, are as curious and excited as I am to see what this talented young man does do next.

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Album Review – From Her Source To The Sea by Matthew Fish

 

Well this is the final album review of the year I have for you today folks, and we’re wrapping up 2016 with a beautiful recording from US-based guitarist Matthew Fish.

This recording clearly demonstrates that Matthew is a very talented guitarist and musician. His biography is testament to this fact also, having received his Bachelor’s of Music Degree from CSU, Chico and then his Masters of Music in 2012 at the San Francis Conservatory of Music studying with Sérgio Assad.

Matthew is a strong supporter of new repertoire for the guitar and has premiered works by a number of contemporary composers. As well as his solo work Matthew is also a member of the San Francisco Guitar Quartet.

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This latest project of Matthew’s, released on 25th September – From Her Source To The Sea – is a recording comprised entirely of the works of Johannes Möller. It’s so great to see (and hear!) an album of this nature – Johannes has such a great collection of compositions, it’s fabulous to hear other artists, particularly talented up and coming young artists, pick them up, play them so beautifully and dedicate an entire recording to them. I just love this approach; a great in-depth study of one contemporary composer’s works. Bloody brilliant!

The track listing includes:

  • Song to the Mother
  • A Star in the Sky, a Universe Within…
  • From Her Source to the Sea (of which this is the world premier recording!)
  • 6 of the 24 Preludes, Op. 12 (of which these are also the world premier recordings!)
    • No. 3 in G Major
    • No. 5 in D Major
    • No. 7 in A Major
    • No. 8 in F# Minor
    • No. 12 in G# Minor
  • The Night Flame (another world premier recording!)
  • Nocturne Op.16, No.1 (and another world premiere recording, and this one was dedicated to Matthew by Johannes)
  • Ananda
  • Future Hope

This is an album that I don’t hesitate in believing that Johannes himself would be very proud of (and that Matthew should be proud too). Matthew’s playing is as virtuosic as any I’ve heard in recent times. He’s more than equipped technically to deal with the Johannes Möller repertoire. Absolutely fantastic playing, partnered with a very well produced recording.

He’s also clearly more than equiped with his sense of musicality to really bring Johannes’ music to life. My favourite track on the album would have to be a toss-up between The Night Flame and album opener Song to the Mother.

The Night Flame is a dramatic Indian-inspired piece of hearty length, and not an undertaking for the player of faint-heart! With the slow, gentle, lulling start to the piece Matthew plays all beautiful ringing on cross-strings and introduction of the main melodic theme in a haunting fashion, underpinned by a pulsating Indian rhythm. Matthew builds the intensity throughout the piece, and creates the beautiful, shimmering illusion that he’s in fact playing a sitar rather than a Western classical guitar, and the build-up through the rasgueado section makes the hair on the back of me neck stand up! This piece is at once beautifully haunting and dramatically virtuosic.

Song to the Mother is played with a lush tone, both down in the lower positions and right up the top of the fretboard. Matthew delivers the piece with just a fabulous sense of timing throughout those divine phrases Möller has written. And I just love, love, love those little harmonic flourishes.

This album is an absolute must if you’re a fan of beautifully played, contemporary classical guitar. From Her Source to the Sea is expressive, beautiful, dramatic, inspiring. Matthew Fish is a classical guitarist to keep an eye (and ear on) for sure.

Details on where you grab your own copy of From Her Source to The Sea is on Matthew’s website: http://www.matthewfishguitar.com/recordings.html

And check out some of Matthew’s beautiful playing on YouTube too: