Alexander Technique – My Progress So Far

Alexander technique
Semi-supine position in Alexander technique (Photo credit: alanpfitch)

At the start of last month you’ll remember that I blogged about my first experience with Alexander Technique – a technique that teaches you to be more aware of tensions in the body and to release those tensions to allow the body to move and work more freely, easily and with greater efficiency. Check out that post here: https://classicalguitarnstuff.com/2012/12/05/alexander-technique-my-first-lesson/

Following my first week or two taking Alexander Technique (AT) lessons and practicing the semi-supine position on a daily basis, I began to become lot more aware of where I was holding tension in my body. I noticed I was holding tension in my jaw – and what a lot of tension there was there! After realising I was holding this tension, learning to notice it more (both in semi-supine position and in normal everyday situations) the feeling of release in the jaw and lower head was a revelation!! I likened it to that post-workout or post-run kind of feeling – like you’ve been working hard, putting your muscles through stress and strain and now you’ve stopped……Ahhhh!

I also noticed a similar tension through my shoulders, and noticed that they have a tendency to creep up around my ears when I’m in an uncomfortable or challenging situation (mentally rather than physically that is), or when I get excited, nervous or agitated. And knowing where this tension exists and when it may occur, or what may make it occur can help then to begin the process of reducing it. The act itself of noticing it begins to change  the habit.

So why is releasing tension in the body important for a guitarist?

Well, if your hand, arm, neck, shoulder or back muscles (even other muscles in other parts of the body, but these in particular) are unnecessarily tense and tight it’s:

  1. taking energy away from the actions you do want to make and the activity muscles you do want working for you
  2. puts pressure on various parts of the body, including the joints and spine which may lead to longer term issues
  3. does not allow you to give you your full self to playing the music as you are literally holding yourself back.

In terms of my playing, I’m noticing some really positive benefits of the AT. First up, I’ll lie in the semi-supine position before settling into some serious practice as it tunes me into my body, where tensions may lie, and relaxes me ready for practice. Then during practice I’m feeling a lot more relaxed through the head, neck, shoulders and arm, which makes practicing and playing much more enjoyable and means I can practice for longer periods of time. When I’m done practicing I also get down into the semi-supine position to help release any tensions that might have crept in and give the spine a rest from the pulling, pushing, tensions and pressures put on it through the rigours of practice.

I’ve done a couple of performances too since starting with AT and I’ve noticed it’s helped significantly with relaxation prior to and during the performance, which makes things a heck of a lot easier!

I have some more AT sessions coming up in January and I’ll keep you posted on my journey into relaxation!

 

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Alexander Technique – My First Lesson

Before I get stuck into today’s post, don’t forget to take part in my survey and your chance to shape the future of this blog, if you’ve not done so already: http://www.surveymonkey.com/s/5VN6PGS

Right. on with the show!

For those of you who have followed the blog for a while you’ll remember that I’ve been working over recent months to reduce tension and any painful feelings associated with playing (both during and after) the guitar, particularly around head, neck and shoulders.

For those of you who are newer to the blog, or if you’d like a reminder of the journey thus far, here are some of my posts on dealing with the issues:

In the last year or so, I’ve made some really great – and noticeable – progress in eliminating the pain and tension issues. In turn I’m very happy to be paying this forward to both your good self, dear

Alexander Technique
Alexander Technique (Photo credit: gordonplant)

reader, and hands on with my students.

So one of the most recent treatments had dealing with neck, shoulder, head and jaw pain and tension was with some myotherapy. This is an excellent treatment, and makes you feel like you’re floating on air immediately afterwards. However, the effects can be relatively short-lived and that’s because it’s really just treating a symptom and not getting to the cause of an issue. Don’t get me wrong, I think myotherapy is great and good idea to get some work done from time to time, but it’s not really a time or cost-effective answer as a solution to an underlying problem long-term.

This is where Alexander Technique enters. It was first recommended to me by my own teacher, the fantastic Ben Dix, who himself reaped enormous benefits from the technique.

So what is Alexander Technique?

It’s not passive therapy such as myotherapy or massage where you lie on a table and someone prods and pokes and moves you about. It’s a technique that teaches you to help yourself; you do the “work”, or the non-work to probably be more accurate, with guidance from the Alexander Technique (AT for short) teacher.

And it’s a technique that combines both mind and body – it’s all part of the same system after all. It teaches you to understand and be increasingly aware of where you may hold tension in the body. Of course, flowing on from that, releasing that tension so you can use your body more efficiently and effectively.

The key focus in the technique is on creating freedom in the neck and head, with the view that everything else along the rest of the spine (and all the other bits of our body, which of course stem from the spine) will flow on.

My first lesson – thoughts and impressions

Yes, they call it a lesson and not a session or anything else as it really is about teaching you to be more aware.

First up the AT teacher chatted through where I was experiencing tension (or currently aware of tension) and pains, when they occurred, my playing, other activities and work and so on, building a picture of how I use my body on a daily basis.

She then whacked me up on to a table, and I spent much of the rest of the lesson laid on my back in a semi-supine position!

Hah hah! Sounds easy right?

Wrong! Well. Kind of a bit of both.

It was very relaxing in a way. Lying there, focusing on creating looseness, space, relaxation in my head, neck, jaw, shoulders….. Ahhh….just letting go.

On the other hand, the teacher then began to move my limbs – first the legs, then arms, asking me to stop her from moving them.

Easy. Done.

Then for me to give the full weight of the limbs to her, and to let her move them.

Incredibly challenging! More so than you would think!

This was an exercise in understanding where you may hold onto essentially useless and counter-productive tension in the body built up through years and years and years of habits.

Hmmmm.

So how has it influenced my playing?

Well, it has only been one week since my first lesson, but I’d say the biggest impact has been in an increased awareness in what my body is doing when playing – such as raising up my knees and/or curling my toes in my shoes when playing something fast or that I perceive as a challenge,  and  interestingly tension in my jaw more so than neck or shoulders per se. Could this be a key cause of neck and shoulder pains? We’ll see…..

I’ve also experienced that when recognising these things and letting go, it does make the movements flow more easily. And then my brain trips back over into old habit mode after a few seconds and switches on the tension again. And then I pick it up again…. It’s going to take a few weeks, probably months, of working on this to build the new habits in, but I can definitely see that this is a very powerful technique that will have definite benefits for my playing.

I’ll keep you posted!