What guitar does Milos play?

A little piece today on the weapon of choice of the marvelous Milos.

Soundhole and rosette of a Greg Smallman guitar
Soundhole and rosette of a Greg Smallman guitar (Photo credit: Wikipedia)

This axe that the Montenegrin sensation wields on his two recordings to date and countless concert dates is none other than a 2007 Greg Smallman.

An excellent choice of instrument with a serious pedigree of fine players also wielding the mighty Smallman. Apparently this is not his guitar, however, with this instrument being lent to him by a couple of kind benefactors (Paul and Jenny Gillham). Perhaps a seemingly strange arrangement, but something that is reasonably common to a fashion with violinists*– who can afford a Guarneri del Gesu or a Stradivarius?! (* That, or they have them on a ridiculous hire-purchase kind of arrangement which means they can never really afford them unless they make serious money as the instruments appreciate in value far more than the musician can ever pay it back.)

OK, so the Smallman isn’t quite in the price league of an 18th century Cremonan violin, but when you consider you need to part with the best part of AUD$30,000 (roughly US$30,500) to have one of these fine instruments in your possession, that and Milos in the early days of his career, the arrangement is actually a pretty good deal for the musician. Although the way Milos is tracking at the moment, I have no doubt he’ll be able to afford one of his very own in no time at all!

Here the man himself playing Recuerdos de la Alhambra on the 2007 Smallman:

Who else plays a Smallman?

A number of well-renowned players also play Smallman guitars, including John Williams, Carlos Bonell, Xuefei Yang, Stepan Rak, Timothy Kain, Ben Verderey, David Tannenbaum and Thibault Cauvin to name but a few.

So who is Greg Smallman?

Greg Smallman is arguably one of the most well-respected and pioneering of the Australian guitar builders. Greg started building guitars back in the early 1970s, following a traditional Fleta model. At that time Australian musicians, instruments, instrument makers and their ilk were largely unknown to the wider world, and frankly not greatly well-respected.

To combat this Greg Smallman realised, much to our benefit, that he’d have to do something a little different with his guitars. So in 1980 Greg developed his now famous balsa and carbon fibre lattice bracing system with a paper-thin soundboard. These guitars have an incredible volume, whilst maintaining clarity of tone – as we can tell from Milos’ recordings.

We can also tell this from the recordings of one of Greg Smallman’s early customers and collaborators in developing his designs – another great Australian, John Williams.

John Williams playing his Smallman in 2005
John Williams playing his Smallman in 2005 (Photo credit: Wikipedia)

Greg Smallman’s development of the lattice braced system, and undoubtedly the patronage of John Williams, created a springboard for phenomenal growth in Australian guitar-building.

One of the most recognizable features of Greg Smallman guitars (or Smallman and Sons Damon and Kym, to give the guitars their full and correct label title) is an armrest in the form of a small strip of wood on the bass side of the guitar. This prevents the guitarist’s arm stopping the vibrations moving through soundboard and so getting maximum response from the instrument.

How are these guitars built?

I’m not going to try to explain the full technical details of the guitars here, but check out this video to take a look inside a Smallman guitar: 

And check out Damian Lodge, another Australian builder, give a bit of a run-down on lattice braced guitar construction: 





4 thoughts on “What guitar does Milos play?

  1. Pingback: My Homepage
  2. Really interesting.
    I’m in the market for a new guitar and have found a Damian Lodge that I’m interested in. (Cannot afford a Greg Smallman!)
    Sorry if this is a dumb question but as you’re in Australia there’s possibly more chance you may have heard / had a play on one than me.
    Do you have any knowledge of what they are like? I am going to have to travel what, in the UK, is quite a long distance to try it out and don’t want to waste mine / others time if it’s not what I really want. How does the sound compare to a Smallman do you think? and are they considered as very “playable” – ie little effort needed to alter tone etc?

    I’ve been playing on a Pete Beer and also a Ramirez 125 annos (for comparison).

    My email is miles.pilling@ymail.com if you don’t want to make judgement publicly.

    Thanks if you’re able to offer any advice.

    I enjoy your site a lot.


    1. Hello Miles,

      I’ve not played a Damian Lodge guitar, nor heard one being played, nor know anyone that plays one I’m afraid so I can’t really comment.
      As much as you may not want to travel, the best thing really is to try it out for yourself. If you’re in the market for this type of guitar you will understand the subtleties between differing guitars and that it is quite a personal thing. Whilst a guitar may be “good” due to its build quality and so on, it may either really speak to you, leave you completely indifferent or somewhere in between!

      Good luck.


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